Balogh Zoltán (szerk.): Neograd 2018 - A Dornyay Béla Múzeum Évkönyve 41. (Salgótarján, 2018)

Steib Janka: A bányászat hatása a Nógrádi szénmedence népi öltözeteire Kivetkőzéstől beöltözésig - egy kiállítás megvalósulása

Ifj. NOSZKY Jenő

2007 Salgótarján és barnakőszén-bányászata, különös tekintettel a néprajzi

viszonyokra. Érc- és Ásványbányászati Múzeum Alapítvány. Rudabánya PALÁDI-KOVÁCS Attila

2000 Munkásviselet. In: Magyar Néprajz VIII. Társadalom. Akadémiai Kiadó.

298-300.

Dr. SZABÓ Béla

1972 Társadalmi, gazdasági viszonyok a Mikszáth korabeli Nógrád megyében. In: Nógrád Megyei Múzeumi Közlemények 1972/18

SZABÓ Zoltán

é.n. (1938) Cifra nyomorúság. A Cserhát, Mátra, Bükk földje és népe SZVIRCSEK Ferenc

2000 Bányászkönyv. Nógrád Megyei Múzeum, Salgótarján. 20.

JANKA STEIB

THE IMPACT OF MINING ON THE TRADITIONAL COSTUMES OF THE NOGRAD COAL-BASIN

’From dressing down to gowning up’ - fruition of an exhibition

The launch of coal-mining in the second part of the 19th century was perceptible in every township around Salgótarján. Mining has attracted other works, factories into Salgótarján. The industrial growth had influence on the living conditions of the residents of Nograd County.

Thanks to the mining inspired industrial development ’dressing down’ had started taking place - in some areas the different provincial traditional attirements were left behind, whereas in other places for that very reason wearing the traditional costumes had blossomed.

The regions of the County were firstly touched by the changing of the traditional garments, were the ones with a closer direct relation to the mining industry and railway.

The Dornyay Bela Museum had organised a temporary exhibition between 27th April - 25th August 2018, named ’From dressing down to gowning up’.

The exhibition through the tools of museology showed all those changes that were evoked by mining and industrial development in the Nograd coal-basin - centering dressing, clothing - the role of the traditional costumes and mineworkers’ uniform as objects of legacy of traditions.

The study describes the above topic through the realization of the exhibition.

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