Pásztor Emília (szerk.): Sámánizmus és természethit régen és ma - Bajai dolgozatok 23. (Baja, 2019)
Jaromir Kovárnik: Az őskori ember hitvilágának tanulmányozása. A sámánizmus kutatása a régészetben
/////////////////////////////////////////////^^^^^ A probe into the spiritual life of prehistoric people, a reflection of shamanism in archaeology Cave, which are arranged in one level (length 0.44 m). The standing therianthropomorphic figure is human in the lower half. However, it has an animal tail ending with a flock of hairs (tail of bison?). The upper limbs are human, but they are ended like bison hooves. This character holds a (musical) bow in the upper limbs. The character also has a bison head. In front of this scene there is an animal with a bison head but with a body of deer doe. Reindeer, like the third figure, has animal feet instead of hooves (Jelinek 1972, 295, Fig. 489). For some ethnic groups of Africa (Sans) and America (Tlingit, Californian Indians, Tierra of Fuego, „Land of Fire”) the drum is replaced by a bow that is also used as a musical instrument. Ritual speech, singing, music, and dancing were some of the higher compositions whose authors were probably shamans. These features unambiguously demonstrate a relatively high level of abstract thinking, some know-how, as well as improving the culture of spoken word and creating a culture of music and dance. In the so-called cave art from the period of the upper Palaeolithic age, there are figures we call the wizard or sorcerer in disguise and mask. The world famous painting is the shaman, a wizard of the Trois Frères cave (0.75 m length). Upright character in motion with human legs has animal tail and upper limbs as animal feet. The male sexual organ is displa-Fig. 3. Brno, Francouzská Street, south Moravia. Statue of a man of mammoth ivory from the tomb Brno 2 of a shaman / sorcerer (by Jelinek 1972, Fig. 656). 3. kép Brno, Francouzská út. Mammutagyarból készült emberi szobor, a Brno 2. sz. sámán sírból. 64 ///////////////////////^^^^
