Szilágyi András (szerk.): Ars Decorativa 27. (Budapest, 2009)
Emese PÁSZTOR - Márta TÓTH - Anikó PATAKI - Andrea VÁRFALVI: Turkish Cases from the Esterházy Treasury
47 Hostapon T: anionic surface-active material, oleoylmethyltaurine sodium salt. 48 Nikecell: polystyrol foam. 49 Preventol CMK: parachlorometacresol. 50 Selecton B 2: ethylene diamine tetracetic acid disodium salt. 51 Fat alcohol sulphate: anionic surface-active substance. 52 Composition of the softening solution: 1500 ml tertiary butyl alcohol, 30 ml lauryl alcohol, 20 ml hoof oil. 53 Composition of the liquor: 20 g lanolin, 60 g hoof oil, 20 g non-ionic surface-activating material, 800 ml distilled water. 54 Kindly communicated to me by Emese Pásztor. See also Endrei, Walter: Patyolat és posztó. Budapest, 1989. 55 72 x 33 cm. 56 Pásztor, Emese: 'Tafota, melyre az virágokat írták' [Taffeta on Which Flowers Were Drawn]. Ars Decorativa 16 (1997), pp. 35-47 [48-54]. 57 The main investigations concerning techniques and materials were performed by Katalin E. Nagy, during an assessment of the Esterházy collection made in the framework of an OTKA (National Fund for Scientific Research) project. 58 Full conservation - restoration of the artefact took place in 2003, thanks to support from the NKA (National Cultural Fund). 59 Width: 30 cm, length: 68 cm. 60 Bagazia and velvet. 61 Various unknown types and two types of panama fabric. 62 In the absence of suitable sampling, no investigation of the wooden part took place. 63 The order of the presentation of the materials in the table is the same as the order of the layers supporting the embroidery. 64 The kind of fastening used could not be determined. 65 Composition of the emulsion: 9 parts softened water, 1 part perchlorethylene, and 0.2 g Prevocel (a nonionic surface-active material). 66 A non-ionic surface-active material (concentrate of ethylene oxide with alkylbenzol). 67 Composition of the liquor: 500 ml tertiary butyl alcohol, 500 ml water, 50 g lanolin, 100 g hoof oil, and 2 g thymol. 68 Polyethylene. 69 Parachlorometacresol. 70 Polystyrol foam. 71 An anionic surface-active substance. 72 I performed the coloration by means of direct dyeing (Direkt Saturn Khaky G 130, Direkt Sirius Lichtgrün B13, Direkt Saturn Blau L3R). 73 I likewise performed the coloration by means of direct dyeing (Direkt Saturn Khaky Gl 30, Direkt Braun GS, Halbwollechtgrau SL). 74 The damaged cord-ends could not be made good. I was unable to determine the original length of the cord, since neither analogy nor description was available to me. 75 I coloured them using acid-treated aniline dyes (Ostalan Braun 2GL, Ostalan Schwarz RL). 76 In order to prevent the development of mildew, I mixed 1% Preventol CMK in isopropyl alcohol into the starch. 77 Emese Pásztor, co-author of this paper. 78 I performed the coloration using CIBA Irgaderm metal complex dyes (red, brown, blue, black). 79 I filed the original, untreated fragments with the documentation. 80 Restorer of paper and leather (Museum of Applied Arts, Budapest). She restored the Fraknó (Förchtenstein) inventory sticker. 81 Restorer of textiles (Museum of Applied Arts, Budapest). She provided specialist advice during the restoration of the textiles. 82 Chemist and restorer of leather (Hungarian National Museum). She supplied assistance on the theoretical and practical levels during the restoration of the leather parts. 83 Restorer of paper and leather (Museum of Applied Arts, Budapest). She supplied advice during the restoration of the leather parts. 84 Restorer of paper and leather. She kindly extended help during the conservation of the leather parts. 109
