Kovács Petronella (szerk.): Isis - Erdélyi magyar restaurátor füzetek 19. (Székelyudvarhely, 2019)
Pápay Kornélia: Beszámoló a műtárgyak esztétikai szempontból zavaró szőrmehiányainak pótlására tett kísérlet tapasztalatairól
ARSLANOGLU, Julie (2004): Aquazol as Used in Conservation Practice. In: WAAC Newsletter Volume 26 Number, pp. 10-15. BEERKENS, Lydia et al. (2012): The Artist Interview, For Conservation and Preservation of Contemporary Art, Guidelines and Practice. Jap Sam Books, Heijningen. BRAJER, Isabelle (2005): Dilemmas in the Restoration of Wall Paintings: Conflicts between Ethics, Aesthetics, Functions and Values Illustrated by Examples from Denmark. In: Die Kunst der Restaurierung - Entwicklungen und Tendenzen der Restaurierungsästhetik in Europa. Ed. Schädler-Saub U., ICOMOS, Journals of the German National Committee XXXX, pp. 122-140. BRAJER, Isabelle (2015a): To retouch or not to retouch? - Reflections on the aesthetic completion of wall paintings. In: CeROArt [Online], HS | Juin 2015, http:// joumals.openedition.org/ceroart/4619 (2018.01.11) BRAJER, Isabelle (2015b): Values and the Preservation of Contemporary Outdoor Murals. In: Conservation Issues in Modem and Contemporary Murals. Ed. Sanchez Pons, M. - Shank, W. - Fuster Lopez, L. Cambridge Scholars Publishing, Newcastle upon Tyne. BRAJER, Isabelle (2009): The simulative retouching method on wall paintings - striving for Authenticity or Verisimilitude? In: Joumées d’étude APROA-BRK, pp. 100-109. BRANDI, Cesare (2005): Theory of Restoration. Nardini Editoré, Firenze. CH1ANTORE, Oscar - RAVA, Antonio (2013): Conserving Contemporary Art: Issues, Methods, Materials, and Research. The Getty Conservation Institute, Los Angeles. CORZO, Miguel Angel (1999): Mortality Immortality? The Legacy of 20th-century Art. The Getty Conservation Institute, Los Angeles. de COURLON, Céline - IVES, Simon - DREDGE, Paula (2015): Fields of colour: The conservation of matt, synthetic paintings by Michael Johnson. In: AICCM Bulletin, 36:2, pp. 136-146. ENGEL, Nina L. - ZUMBÜHL, Stefan (2015): An Evaluation Of Selected Retouching Media For Acrylic Emulsion Paint. In: Journal of the American Institute for Conservation, 54:4, pp. 224-237. von der GOLZ, Michael (2010): Alois Reigl’s Denkmalswerte: a decision chart model for modem and contemporary art conservation? In: Theory and Practice in the Conservation of Modem and Contemporary Art. Ed. Schädler-Saub, U. - Weyer A. Archetype Publications Ltd, London. M. C. HUMMELEN, Ijsbrand - SILLÉ, Dionne (2005) (red.): Modern Art - who Cares? An Interdisciplinary Research Project and an International Symposium on the Conservation of Modern and Contemporary Art. Archetype, Amsterdam. MUNOZ V1NAS, Salvador (2010): The artwork that became a symbol of itself. In: Theory and Practice in the Conservation of Modern and Contemporary Art. Ed. Schädler-Saub, U. - Weyer, A. Archetype Publications Ltd, London. MUNOZ VINAS, Salvador (2015): Contemporary Theory of Conservation. Routledge, London. ORMSBY, Bronwyn A. et al. (2007): Wet Cleaning Acrylic Emulsion Paint Films: An Evaluation of Physical, Chemical, and Optical Changes. In: Modern Paints Uncovered. Ed. J. S. Learner, Th. - Smithen, P. - Krueger, J. W. — Schilling, M.R. Getty Conservation Institute, Los Angeles, pp. 189-200. PAVIC, Mirta - MUNI VRANA, Martina (2018): View Though the Meander: A Study of Knifer’s Oil Paintings from the 1960s. Poster la conferinţa Modem Oil Paints, Amsterdam, 23-25 mai 2018. RAINER, Leslie (2003): The Conservation of Outdoor Contemporary Murals. In: Conservation. The GCI Newsletter, 18.2. RAINER, Leslie (2012): The Return of América Tropical. In: Conservation Perspectives. The GCI Newsletter, 27.2. RIEGL, Alois (1998): Művészettörténeti tanulmányok. Editura Balassi, Budapesta. SCHÄDLER-SAUB, Ursula (2010): Conservation of modem and contemporary art: what remains of Cesare Brandi’s Teoria del restauro? In: Theory and Practice in the Conservation of Modem and Contemporary Art. Ed. Schädler-Saub, U. - Weyer A. Archetype Publications Ltd, London. SIMS, S. - CROSS, M. - SMITHEN, P. (2010): Retouching media for acrylic paintings. In: Mixing and Matching: Approaches to Retouching Paintings. Ed. Ellison, R. — Smithen, Patricia -Turnbull, R. Archetype Publications Ltd, London. STENGER, J. et al. (2016): Non-invasive colour restoration of Mark Rothko’s Harvard murals using light from a digital projector. In: Colour Change in Paintings. Ed. Clarricoates, Rh. - Dowding, H. -Gent, A. Archetype Publications Ltd, London. van de WETERING, Ernst (2005): Conservation-restoration ethics and the problem of modem art .In: Modem Art - who Cares? An Interdisciplinary Research Project and an International Symposium on the Conservation of Modern and Contemporary Art. Ed. Hummelen. IJ. M. C. - Sillé, D. Archetype, Amsterdam. Realizat cu sprijinul Ministerului Resurselor Umane din Ungaria, prin Noul Program Naţional de Excelenţă, cod: ÚNKP-17-2. EMBERI ERŐFORRÁSOK Minisztériuma 191