Szőcs Péter Levente (szerk.): Arhitectura ecleziastică din Satu Mare (Satu Mare, 2008)
Porumbeşti - Kökényesd
védőszentjét ábrázoló oltárkép a 19. század közepéről származhat. A neoromán stílusú főoltár a 19. század legvégén készült, felépítményét a liturgikus reformot követő átalakítás során részekre szedték: az oltárasztal maradt a kép alatt (oldalán az adományozó neve és a készítés dátuma is olvasható), tabernákuluma a diadalív külső oldalán önálló tartóra, a négy szent szobrával díszített felépítménye pedig a szembemiséző oltár hívek felőli oldalára került. A hajó csehsüveg-boltozattal fedett, egyenetlenségei szembeötlők. (TSz). Porumbeşti. The Roman Catholic Church of „St. Emeric” The Perényi family, the owner of the village, canceled the right of the Calvinist community to use the mediaeval church, in 1740. The restoration of the church was made in 1767. It is possible that some parts of the medieval church have been reused. The tower with an onion bulb shaped steeple was made in 1833. The sanctuary is polygonal, with buttresses and it is vaulted. It has a vestry with two vaulted chambers. The painting of the altar was made in the middle of the 19th century. The altar was made in the neoromanic style at the end of the 19th century. After the liturgical reform, it was set apart: the altar table (with the inscription with the donators and the year of construction) was left under the painting, the tabernacle was set on the outside of the triumphal arch, and the statues of the four saints were placed on the visible side of the altar for the public. The nave has spherical vault, with visible anomalies. (TSz). I mm ■ »in I Porumbeşti. Biserica greco-catolică „înălţarea Domnului” Parte a fostului comitat Ugocea, satul deţine o comunitate greco-catolică numeroasă începând cu secolul al XVIITlea. Biserica actuală a fost construită în 1836, în stil clasic. Turnul adósat faţadei de vest, de o înălţime impunătoare, capătă în partea superioară forma unui bulb de ceapă. Pereţii clădirii sunt împărţiţi în registre cu ajutorul lizenelor şi al cornişelor proeminente. Acoperişul navei este format din trei corpuri separate, iar sanctuarul boltit descrie un plan semicircular. Locul cantorului, klirosul, este delimitat prin nişe săpate în pereţii bisericii. Cel mai valoros element arhitectonic din interiorul bisericii este iconostasul, realizat în manieră specifică sfârşitului de secol XVIII. Stilul decorului aminteşte de iconostasul din Ujgorod, datând din 1777-1779, dar 96
