F. Mentényi Klára szerk.: Műemlékvédelmi Szemle 1998/1. szám Az Országos Műemléki Felügyelőség tájékoztatója (Budapest, 1998)

MŰHELY - Somorjay Sélysette: 18. századi városi lakóépületek belső kialakítása. Funkció és dekoráció kapcsolata a lakóhelyiségekben

provisional stays, while the domanial centre in Gyöngyös was a residence. There was no inventory in the case of Győr, but during the survey several layers of wall paintings were discovered an d their reconstruction proved that 18

th century wall paintings were following the interior design principles of contemporary treatises. Another house in Győr, (no.20. Kazinczy street) - contrary to the others - was in bourgeois possession in 1753, when a detailed inventory was made of its movables. The plan reconstructed as a result of the survey is different from the earlier: there is no representative staircase, the connection of the first-storey rooms is occasional, preserving 17

th century condition from several points. It is interesting from functional point that the library appears as an independent room, although not named. The important difference between the urban residential buildings of the nobility and citizens is beginning to disappear in the last third of the 18

th century, when the form of bourgeois houses derived from plans and interiors of urban palaces has developed. The three rooms of the "piano nobile": parlour, the salon and the bedroom are generally built. The central room of the Fabricius house in Sopron, decorated with architectonic painting proved well that the formation of walls followed the basic types of theoretical literature. Already in the case of rooms with wooden panels and wallpaper there were motifs preferred to - in the case of the former portraits of Roman emperors, and in the latter exotic landscapes - and as formal elements having an independent life in wall paintings became characteristic of certain room types in the course of centuries.