Czére Andrea szerk.: A Szépművészeti Múzeum közleményei (Budapest, 2008)
JÚLIA TÁTRAI AND LÁSZLO LENGYEL: Archduke Albert († 1621) on the Catafalque: A Picture of Old-New Acquisition
21, no. 80 (next to it in pencil no. 76). The foreword of the catalogue contains the following information about the Zichy Collection: "The Count Jenő Zichy Collection, due to the lack of a suitable venue, has been found a temporary place at the industrial school of drawing on Verpeléti Street. This collection became the property of the capital by way of the estate of the now deceased Count Jenő Zichy in 1911. The collection contains the works of important, and indeed world famous artists, such as pictures by Greuze, Rigaud, Largilliére, Le Brun, Ruysdael, Einsle, Lampi, Makart, Mányoki, Ligeti, and Marko as well as others." 13 Budapest Székesfőváros gróf Zichy Jenő Múzeumának katalógusa, 22, no. 75. The foreword of the catalogue notes that the fine arts works were identified by Simon Melier and Dénes Csánki, while the catalogue was produced with the expert advice of Elek Petrovics, Zoltán Felvinczi Takács and József Beer. 14 German terminology makes a distinction between the governors before and after Albert and Isabelle's governance by using the title Statthalter for the former and Souverän for the latter. There is no equivalent term for this in Hungarian. Cf. H. Trnek, "Die Wappenoffiziere und die heraldische Kammer der Niederlande", in Kunsthistorisches Museum Wien. Weltliche und Geistliche Schatzkammer. Bildführer, Vienna 1987, 189-91. 15 For a biography of Archduke Albert see Ch. Dubois, Histoire d" Albert et eV Isabelle, Brussels 1847; Révai Nagy Lexikona [Great Révay Encyclopaedia], vol. 1, Budapest 1911, 307; Britannica Hungarica, vol. 1, Budapest-Furnhout 1994, 249. 16 For a detailed account of the archducal couple's patronage activities: M. de Maeyer, "Mbert en Isabella en de Schilderkunst. Bijdrage tot de Geschiedenis van de XVTIe-eeuwse schilderkunst in de Zuidelijke Nederlanden", Verhandelingen van de Koninklijke Vlaamse Académie voor Wetenschappen, Letteren en Schone Künsten in België, Brussels 1955; C. Banz, Höfsch es Mäzenatentum in Brüssel. Kardinal Antoine Perrenot de Granvelle (1517-1586) und die Erzherzöge Albrecht (1559-1621) und Isabella (1566-1633), Berliner Schriften zur Kunst, Band XII, Berlin 2000, 77-147. 1 Brueghel painted several versions of this series. The most recent research about the Madrid pictures: A. van Suchte!en, in Rubens & Brueghel. A Working Friendship, exh. cat., ed. by A. T. Woollett and A. van Suchtelen, Los Angeles and Den Haag, 2006, cat. no. 8, 90-99, with earlier literature. The five chapters of Albert & Isabelle 1 598-1621, exh. cat., Brussels, Musées royaux d'Art et d'Histoire, réd. W. Thomas and L. Duerloo, Tournhout's 1998 were named after the five senses, and works of art that are linked to the senses are presented. u For the painting activities of Archduchess Maria Christina see László LengyePs Uralkodók, szentek és amatőrök, XVIII. századi portré-miniatűrök a Habsburg-Lotharingiai-házból {Rulers, saints and amateurs: Miniature portraits from the eighteenth century of the House oí Habsburg-Lorraine], Pécs 1999, Janus Pannonius Museum, no. 90.
