Csornay Boldizsár - Hubai Péter szerk.: A Szépművészeti Múzeum közleményei 96. (Budapest, 2002)

VICTOR M. SCHMIDT: A Duccesque Painting Representing St John the Baptist Bearing Witness in the Museum of Fine Arts

20. Here attributed to the workshop of Ugolino di Nerio: St John the Baptist Bearing Witness. Budapest, Museum of Fine Arts the attribution to either Ugolino, 5 or a painter close to him, 6 gained wide currency. Berenson, however, always stuck to his attribution of the painting to Duccio, which was repeated in more recent times by Miklós Boskovits on various occasions. 7 Currently, the panel is catalogued as 'Ascribed to Duccio'. 8 5 Cecchi, E., Trecentisti senesi, Rome 1928, pl. LXIV; Edgell, G.H., A history of Sienese painting, New York 1932, 61; Van Marie, R., The development of the Italian schools of painting, II, The Hague 1924, 107-108, fig. 68; Perkins, F.M., 'Ugolino da Siena', in: Thieme, U., - Becker, F. (eds.) Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart, XXXIII, Leipzig 1939, 542-544, esp. 543; Cecchi, E., Trecentisti senesi, new ed., Milan 1948, 175 and pl. 70; Boskovits, M., Frühe italienische Tafelbilder, Budapest 1966, no. 14; Pigler, A., Katalog der Galerie Alter Meister, I, Budapest 1967. 197­198, no. 6. 6 Brandi, C, Duccio, Florence 1951, 154, note 34, and 162; Coor-Achenbach, G., 'Contributions to the study of Ugolino di Nerio's art'. Art Bulletin 37 ( 1955), 154-165, esp. 162, note 46 and 163, note 52; eadem, 'Trecento-Gemälde aus der Sammlung Ramboux', Wallraf-Richartz-Jahrbuch 18 (1956), 111­131, esp. 114; Stubblebine, J.H., Duccio di Buoninsegna and his school, Princeton, 1979, I, 186-187. 7 Berenson, B., Italian pictures of the Renaissance, Oxford 1932, 176; idem, Pitture italiane del Rinascimento, Milan 1936, 152; idem, Italian pictures of the Renaissance. A list of principal artists and their works with an index of places. Central Italian and North Italian schools, rev. ed., London 1968, I. 116; Boskovits, review, 498-499; Boskovits, M., The Thyssen-Bornemisza collection. Early Italian pain­ting, 1290-1470, London 1990, 76-77. 8 Museum of Fine Arts, Budapest. Old Masters' Gallery. A summary catalogue of Italian, French, Spanish and Greek paintings, London-Budapest 1991, 35.

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