Földessy Edina, Szűcs Alexandra, Wilhelm Gábor: Tabula 5/2 (Néprajzi Közlemények; Budapest, 2002)

NAGY TERÉZIA: Az underground zenei szubkultúra a mai nagyvárosban

RÁCZ JÓZSEF 1989 Ifjúsági szubkultúrák és fiatalkori „devianciák". Budapest: Magyar Pszichiátriai Társaság. THORNTON, SARAH 1

996 Club Cultures. Music, Media and Subcultural Capital. Hanover- London: Wesleyan University Press. University Press of New England. TURNER, VICTOR 1977 The Ritual Process. 94-130. Ithaca - New York: Cornell University Press. 1982 Acting in everyday life and everyday life in acting. Humanities in Review 1:83-105. 1

998 Liminalitás és communitas. In Politikai antropológia. Zentai Violetta, szerk. 5 1-63. Budapest: Osiris - Láthatatlan Kollégium. TERÉZIA NAGY The underground music scene in a contemporary city This essays focuses on an youth sub-culture in Szeged, Hungary. On the basis of interviews and field-work it will be described as it is located in two sub-cultural spaces. The two profiles are closely tied to the underground music scene in the form of the party as a space for cultural consumption and as a virtual space of sub-cultural behavior. The youth in the city are particularly attracted to the value systems of this scene that seem strange to them, especially compared to the city's own, everyday life style. The successful adaptation to this cultural pattern requires from the individual the acceptance and experiencing of the sub-cultural activities. It will be interpreted with the help of a theoretical framework that concentrate on liminality and deviancy. The whole process of adaptation can thus be analyzed as the acquirement of strategies of reception, experience and consumption. The act of experience will be further depicted as a trance-consuming behavior.