Weiner Mihályné szerk.: Az Iparművészeti Múzeum Évkönyvei 6. (Budapest, 1963)

HOPP FERENC MÚZEUM - MUSÉE FERENC HOPP - Tóth, Edit: The Iconography of the Portraits of the Pancaraksä-Manuscript

V *: « • ''-Síi ïjlfv*;'!* í^Í!*j Willi Fig. 11. Stüpa with the portraits of the donors NOTES ad. I. 1 Tibor Horváth: The Art of Asia. Corvina, Budapest, 1955. pp. 6 — 7. 2 Yearbook of the Museum of Decorative Arts, II. Budapest, 1955. pp. 291 —305. — Ibid. pp. 297 — 298, note 9. 3 Edit Tóth: The Art of Nepal. Budapest, 1963. i

H. J. Stooke: A 12th Century Pancaraksâ Mandata. Oriental Art, vol. II, pp. 141-145. 5 L. A. Waddell: The Dharanï Cult in Buddhism, its Origin, Deified Literature and Images. Ostasiatische Zeitschrift, 1912, pp. 155—195. 6 The words ,,Deyandhamoyam . . ." of our manuscript is at variance with the form of word given by F. Edgerton: Buddhist Hybrid Sanskrit Grammar and Dictionary, vol. II. New Haven, Yale University Press, 1953 p. 270: ,,deyadharma, m. . . ., a meritorious gift . . ." There is, however, a large number of such variants throughout our manuscript. 7 L. Petech: Medieval History of Nepal. Roma, 1958. p. 3. 8 Ibid. pp. 98., 168. 9 The word ,,toraka" does not occur in Edgerton's cited work, but it is found in Sir Monier Monier—Williams: A Sanskrit — English Dictionary. Oxford, Clarendon Press, 1956, p. 456: ,,. . . (ikä), f., a wall round a watch-tower . . ." 14* 211