Weiner Mihályné szerk.: Az Iparművészeti Múzeum Évkönyvei 6. (Budapest, 1963)

HOPP FERENC MÚZEUM - MUSÉE FERENC HOPP - Tóth, Edit: The Iconography of the Portraits of the Pancaraksä-Manuscript

NOTES ad II. 1 H. J. Stooke: A 12th century Pancaraksamandala. Oriental Art, I—II. London, 1949-50. 2 Benoytosh Bhattacaryya: The Indian Buddhist Iconography. Calcutta, 1958. 3 A. Gordon: The Iconography of Tibetan Lamaism. New York, 1939. 1 W. Kirf el: Symbolik des Buddhismus. Stuttgart, 1959. 5 Stooke: op. cit. p. 144. 6 Kirf el: op. cit. p. 86: white, p. Ill: black (or blue, respectively), East; Nispannayogävali (Bhattacaryya: op. cit. p. 303) white, East; Sädhanamälä (Bhattacaryya: op. cit. p. 216) white, East; Gordon: op. cit. p. 78: white, ,,Centre"; Stooke: op. cit. p. 144: blue. 7 Stooke: op. cit. p. 144: red; Kirf el: op. cit. p. Ill: yellow, South; Sädhanamälä (Bhattacaryya: op. cit. p. 234) green; Nispannayogävali (ibid. p. 305) green, North; Gordon: op. cit. p. 79: green, North. 8 Stooke: op. cit. p. 144: yellow; Kirf el: op. cit. p. 122: green, North; p. 98. red; Sädhanamälä (Bhattacaryya: op. cit. p. 153) red; Nispannayogävali (ibid. p. 305) red, West; Gordon: op. cit. p 79. red. West. 9 Stooke: op. cit. p. 144: red, West; Kirfel: op. cit. p. 112: white and red, W

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est; Nispannayogävali (Bhattacaryya: op. cit. p. 304) blue, South; Sädhanamälä (ibid. p. 200) blue, South; Gordon: op. cit. p. 78: blue, East.