Múzeumi műtárgyvédelem 4., 1977 (Múzeumi Restaurátor És Módszertani Központ)

Táblák

xxi n.

XXIV.

xxv.

XXVI.

XXVII. XXVIII

XXIX.

XXX.

XXXI.

XXXII.

XXII.

3. The opening up of the shroud's paint layers:

1. Original layer

1. a Oxidated silver under the forcibly worn upper layer

2. Oily layer contaning yellow pigments brought on the original layer

3. Silver coating

4. Green lustre cloth (?)

5. Greenish-black overpainting

4. Detail, of the shroud after opening up

1. The relief during straightening

2. The relief during glueing

1. The back side of the conserved and equipped with mounting bases relief

2. The restored relief

Restored Roman urn The fragments of the urn

The restoration of the urn:

1. The inside of the neck

2. Modelling of the urn's body

3. The completed casting

1-2. The casting model

1. The painted wooden ceiling of the Rudabánya Reformed church before restoration

2. The wooden material of the painted wooden ceiling of Rudabánya before restoration

1. The painted wooden ceiling of the Rakacaszend Reformed church

2. Detail of the interior of the Reformed church of Csaroda

3. One of the painted tables of the Reformed church of Csaroda during restoration

1. Secondarily installed painted wooden ceiling on the gallery of the Reformed church of Adorján

2. Secondarily installed painted wooden ceiling in the Reformed church of Pata

1. The ceiling of the Reformed church of Kórós painted in 1793 and 1834.

2. The gallery of the church of Kórós from 1835

1. Step-wise deformation and the loosening at the edge of the frame of the canvas in the course of time on the boundary surface of the edge was brought about by wedging.

2. The wedging causes step-wise changes in the lines of the corners on the frames of basic type.

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