Múzeumi műtárgyvédelem 4., 1977 (Múzeumi Restaurátor És Módszertani Központ)
Táblák
XXXIII. XXXIV. XXXV. XXXVI. XXXVII. XXXVIII. XXXIX. XL. XLI. XLII. 1. Canvases become crimpy and lenghten to a greater extent at the edges 2. The opening of the dovetail joint 1-2-3-4. Old frames and stretching methods 1. The new arrangement of the inner stiffeners 2. In the case of pictures smaller than 70 cm the inner stiffeners are jointed according to the former customs at the middle of the edge battens 3. The inner stiffener 1. Corner tile in trellis work formed by fitting two tiles together 2. Flat tile with crowned lion 3. Fan traceried, stave backed tile with figures of a prophet and a saint 4. Under the jointy green glaze the cracks of the white engobe layer are clearly visible 5. Fan traceried, stave backed tile with figures of saints 6. Flat tile with the figure of King Mátyás 1. Aged glass surface in 500 times mágnification 2. Roman glass vessel from Aquincum with former waxen completion 3. The same with completion of polymethacrylate 4. Broken middle age decorated glass (owned by BTM) 5. The same restored with completion of polymethacrylate. 6-7. Middle age double bellied bottle (Tác) before restoration 1. Dismantable completion (polymethacrylate) 2. Middle age double bellied bottle similar to the above men - tioned with completion of epoxy resin 3. The same fitted together 4. Venetian cup (Sümeg). Without completion, set in a 1 mm plexiglas sheet 5. Icon painted on glass (owned by the Etnographical Museum of Transsylvania) before restoration with peeled off paint. Back side. 1. The same viewed from the front 2. The same restored 1. Flat gypsum crystals formed by salt solutions (photographed between crossed nicols) 2. Carboxymethylcellulose-distorted crystals 3. Gypsum spiral made of plastic gypsum 1. Front view of the "kabola" (special part of the oven) 2. The supported and wedged "kabola" (special part of the oven) 1. The beginning of sawing 2. Continuous sawing, placing in the bottom board 208
