Szilágyi András (szerk.): Ars Decorativa 27. (Budapest, 2009)

Enikő SIPOS: Hungarian-Related Textile Works in Switzerland

Képzőművészeti Főiskola jegyzetei, 11. [Hungarian Academy of Fine Arts Textbooks]). 15 Staniland, Kay: Medieval Craftsmen, Embroiderers, London, British Museum Press, 1991 (hereinafter: Staniland 1991), p. 22. 16 Sherwood Taylor, F. - Singer, Ch.: Pre-Scientific industrial Chemistry. A History of Technology II, Oxford, 1956, pp. 359-367. 17 Tímár - Eastop 1998, p. 95-96. 18 "The Craftsman's Handbook" in II Libro delI'Arte di Cennino d'Andrea Cennini, translated by Daniel V. Thompson, Jr., New York, I960 (hereinafter: Cennini, Libro dell'Arte, 1960), pp. 103-107. 19 Merrifield, Mary P.: Medieval and Renaissance Treatises on the Arts of Painting. Original Texts with English Translations. Manuscripts of Jehan le Begue, New York, 1967 (hereinafter: Merrifield 1967), pp. 67, no. 92. 20 Merrifield 1967, p. 88. It should be noted that blue-dying is done in the same way to this day. The cloth is spread on a table padded with a blanket. The printing block is dipped in clay, alum, gum arabic or various fats. These substances prevent the dye from colouring the cloth where it has been in contact with the block. 21 Merrifield 1967, pp. 230-231. 22 Merrifield 1967, MS. of St. Audemar, p. 156, recipe no. 195. 23 Merrifield 1967, pp. 15-16, note 2. 24 Merrifield 1967, p. 29, note 16. 25 B. Nyékhelyi 2003, pp. 50-81. 26 Cat. Passau 2001, p. 125. 27 From the treasury of Königsfelden convent church. Quoted in Maurer 1954, p. 279. 28 Bern, Historisches Museum, inv. nos. 27 and 51. Quoted in Maurer 1954, p. 22. 29 Bruchner 2000, pp. 571-572, no. 307. (Franz Wagner's remark). 30 According to recent research, it comes from the Upper Rhine region and dates from around 1430. 31 Bloch, Peter: "Löwe" in Lexikon der christlichen Ikonographie, Hg. Engelbert Kirschbaum, III. Band. Rome - Freiburg - Basel - Wien, 1971, Col. 112119. 32 Maurer 1954. 33 From the treasury of Königsfelden convent church. Cf. Maurer 1954, p. 297. 34 Iklé, Leopold: Ein leidenschaftlicher Sammler, Hg. Wanner, Anne - Richard, Jean. Sankt Gallen, 2002. On the Engelberg antependium: pp. 24-25. 35 Delmár 1941, pp. 22-25. 36 Christie, A.G.I: English Mediaeval Embroidery, Oxford, 1938, p. 18. 37 Braunfels 1983, p. 260. 38 Scheller, Robert W: Model-Book Drawings and the Practice of Artistic Transmission in the Middle Ages (ca. 900 - ca. 1450), Amsterdam, 1995 (Scheller 1995), p. 267; Cat. no. 25, p. 344; Cat. no. 33. 39 Kovács, Eva: Egy magyarországi hímzőmester: Etienne le Biévre [A Hungarian embroiderer: Etienne le Biévre], Ars Hungarica XII., 1984, pp. 178-179 (hereinafter: Kovács 1984). 40 Cambridge, Pepysian Library, Magdalene College, Ms. 1916. Scheller 1995, p. 214; Cat. 17. English, c. 1375-1400, p. 208. 41 Kovács 1984, p. 179. 42 Cennini, Libro delLArte, 1960, pp. 13-14. 43 Cennini, Libro dell'Arte, 1960, p. 107. 44 Staniland 1991, p. 48 45 From a workshop in Hungary, c. 1400. L: 108 cm; w: 78 cm. Inv. no. 1953.147. Cf. Bárányné Oberschall, Magda: Magyarországi miseruhák [Chasubles in Hungary], Budapest, 1937, pp. 8 and 23; Fig. 1; V. Ember, Mária: Régi textíliák [Old textiles], Budapest, 1980, p. 39, Fig. 1; Sipos, Enikő - Loeding, Dominique: Messgewänder mit Heiliggeisttauben. Folia Historica 16, 1991, pp. 31-52. 46 Braunfels 1983, pp. 7-21. 150