Szilágyi András (szerk.): Ars Decorativa 20. (Budapest, 2001)

Zsuzsa GONDA: Walter Crane's Visit to Budapest in the Context of Museums' Acquisitions

26 Its title today is Ship and Sirens, watercolour, 620 x 2150 mm, Inv. No. 1950-4300. 27 Luise Campbell "The Design of Leighton House: The Artist's Palace of Art," Lord Leighton and the Leighton House, ed. Robin Simon (London, 1996) pp. 10-16. 28 Crane op. cit. (n. 5), p. 216. 29 The Crane Register, J

900, Nos. 13-20 (e.g. eagle with snake, sphynx, cockatoo, peacock, sun, moon). 30 Woodcut, Inv. No. 1900-712. 31 Angol és amerikai modern grafikai kiállítás, Országos Képtár [Exhibition of Modern English and American Graphic Art, National Picture Gallery] (Budapest, 1904). 12 Woodcut, Inv. No. 1902-2. According to the relevant entry in the inventory the engraving was purchased from a firm called Modern Lakás. A similar figure is used in Crane's 1900 volume Line and Form to illustrate how movement is suggested. 33 Woodcut, Inv. No. 1931-2159. The print was donated by Kálmán Kovács to the museum. 34 Inv. No. L. 85.46. 35 Von Odysseus his Felix Kruel, ed. by Klaus Popitz. Kat. zur Ausstellung der Kunstbibliothek Berlin mit Museum für Architektur, Modebild und Grafik-Design. Staatliche Museen Preussischer Kulturbesitz (Berlin-Dahlem, 1982), pp. 78, 86. 36 Crane op. cit. (n. 5), p. 456. 37 Judit Geskó "Die Enstehung von Pál Majovszkys Sammlung französischer Zeichnungen des 19. Jahrhunderts. Ein Konservativer für die Modernen," Kat. Zeichnen ist Sehen, Hrsg. von Judit Geskó and Josef Helfenstein (Kunstmuseum Bern - Hamburger Kunsthalle, 1996). 38 Külföldi modern metszetek. Majorszky Pál ajándéka. [Modem foreign prints. Gift of Pál Majovszky], Museum of Fine Arts, Budapest, 1914. There was no work by Walter Crane in the Majovszky collection.