Imre Jakabffy (szerk.): Ars Decorativa 4. (Budapest, 1976)

IVÁNFY-BAL0GH, Sára - JAKABFFY, Imre: Géza R. Maróti

8. THE PORTAL OF THE HUNGARIAN EXHIBITION HALL AT VENICE BIENNALE (1909, RECONSTRUCTED 1958) invariably also in our days, the International Architect Congress hold a sitting in 1963. Ma­róti put as fire-proof courtain a thick-walled glass courtain into practice, what shows transilluminated the contours of the Mexican volcanos. The glass courtain has been carried out by the U. S.A. firm Tiffany in accordance with Maróti's design (Fig. 7). It has become common knowledge that not only the carry­ing out but the designing had been made by Tiffany's. too' J . On the other hand the com­plete design, bearing Maróti's signature is to be find in the Budapest Polytechnical Uni­versity. This must be a convincing evidence which all goes to show that Maróti was the designer and Tiffany the executor. The ma­gic effect of the glass courtain stems from the multicoloured transillumination in the glass cubes. The 27 tons weighing glass cour­tain is setting free the stage by its hydraulic pression in 7 seconds. 135 7. PLAN FOR THE (JLASS COURTAIN, MEXICO CITY (1912)

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