Czére Andrea szerk.: A Szépművészeti Múzeum közleményei (Budapest, 2007)

ANDRÁS MÁRTON AND GYÖRGY NEMES: Corinthian White-Ground Lekythoi

The decoration is often burnt red. Cf. Eichler 1941, 64, no. c-d, Abb. lb, 65-66; Palmer 1964, Graves 367. nos. 11-12, 369. no. 4, 370. no. 6, 388. nos. 9-11, 391. no. 5, 256, 260, pi. 59-60, 63. Also: Cook 1972, 115, pi. XL and Laurens 1974, 146, no. 87. Palmer 1964, Graves 365. no. 3, 396. no. 4, 254, 262, pi. 59, 64, 91. Unknown type of palmette: ead., Grave 367 no. 10, 255, pi. 59.367-10. For a palmette on the body: ibid., Graves 365 no. 3, 366. no. 14, 396. no. 4, 254, 262, pi. 58-59, 64, 91. Ivy pattern running to the right: ibid., Graves 366. no. 14, 371. no. 5, 387. no. 2, 388. no. 9, 391. no. 5, 254, 256, 259-160, pi. 58-60; two vases came to light in a grave near Skoutela: see Lawrence 1964, 89-107, S 1-2, 106, pl. 21; from Grave ß in the Potter's Quarter: Boulter 1984, 209, pi. 48. Also: Eichler 1941, 64, Nr. c-d, Abb. lb, 65-66, Anm. 1, 66; Cook 1972, 115, pi. XL; Laurens 1974, 146, no. 87. For a similar motif on an Attic lekythos: Kurtz 1975, pi. 70.6. Ivy pattern running to the left: Palmer 1964, Grave 387. no. 2, 388. no. 11, 259, 260, pi. 63. Crosshatched lozenge-shaped design: ibid., Grave 366 no. 15, 254, pi. 58. This not too popular design also connects to the Beldam Painter's workshop. Cf. ibid., Graves 367 nos. 11-12 and perhaps Grave 370 no. 6, 255, 256, pi. 59. Ibid., Grave 369 no. 4, 255, pi. 60. Ibid., 256, pl. 60, with traces of yellow, red, black and white paint. Traces of polychrome decoration do not always imply figurai painting; on a vase from the North Cemetery the floral ornaments were painted in yellow and red, ibid., Graves 407. no. 11, 266. no. 40711, pi. 66.407-11. Other traces of polychrome paint: ibid., Graves 367. no. 10, 372. no. 5, 396. no. 3, 395. no. 7-8, 396. no. 3, 255-56, 262, pi. 59-60, 63-64. Kurtz 1975, 155, pi. 71.4; R. Ólmos Romera, Catalogo de los Vasos Griegos en el Museo Arquelogico National, Volumen I, Madrid 1980, 42, no. 5. The laurel wreath, although it never becomes very popular, can also be found in the repertory of the Beldam Workshop, cf. I A. MniAoUKa-TpaïKOc, "Néa Ka/JaKpáieia 2001: H avaaKacpiKi] épsuva OTO avaioA,iKÓ veKpoxacpeío apxaíou ouaauoú" (Nea Kallikratia 2001: Excavation of the East Cemetery of the Ancient Settlement), To apxouoAÓyoKo spyo oie MaKSÔov/a Kai 0pÓK8 15 (2001) [2003] 279-88, Eliv 8, 288; K. PCOUIOTTOUX-OU, and F. ToopaTooyÀou, MIESA. A6f|va 2002, ToupoÇ 7, n 1557, 49. Palmer 1964, 142; Steiner 1992, 393-94. Steiner did not regard lekythos no. 5 from the North Cemetery grave 392 as belonging to Palmer's group ii based on the following arguments: the mouth is small, its side straighter than is usual in this group, and a reddish slip covers the top of the rim, Palmer 1964, 261, pi. 60; Steiner 1992, 395, fig. 6. 4' 1340, 397. The neck is thinner and longer than is typical in the group, and the colour of the clay is light orange and not the usual brownish-yellow