Czére Andrea szerk.: A Szépművészeti Múzeum közleményei (Budapest, 2007)

ZSUZSANNA DOBOS: New Additions to the Art and Research of Girolamo Troppa

with it. The San Sebastiano of the size of tela d'imperatore can by no means be identical with the much smaller (71x59 cm) painting published by Stella Rudolph. Rudolph 1977, 29. A. Cametti, "Arcangelo Corelli. I suoi quadri e i suoi violini", Roma: rivista di studi e di vita rontana V (1927), 415-23. The measurements of the Kassel painting: 124.5x172 cm. London, Sotheby's, December 11, 1991 (n. 195). Oil, canvas, 73.7x61 cm, signed. F. Haskell, Patrons and Painters: a study in the relations between Italian art and society in the age of the Baroque, New Haven 1980; E.J. Olsewszki, "The painters in Cardinal Pietro Ottoboni's Court of the Cancelleria 1689-1740", Römisches Jahrbuch der Bibliotheca Hertziana 32 (1997/1998) [2002], 533-66; E. J. Olsewszki, "The Enlighted Patronage of Cardinal Pietro Ottoboni (1667-1740)", Artibus et históriáé 23 (2002), n. 45, 139-65; E.J. Olsewszki, Cardinal Pietro Ottoboni (1661-1140) and the Vatican Tomb of Pope Alexander VIII, Memoirs of the American Philosophical Society, 252, Philadelphia 2004. Olsewszki 2004. Schleier 1990, 28 Casale 1989, 319. Rudolph 1977, 29. On Troppa's activity as a portraitist see most lately: Petrucci 2008, vol. I, 255, fig. 358, vol. II, 38890,422, figs. 706-9. Benocci 2001, 117-21, nos. 27, 54, 119. A signed landscape by Troppa was auctioned at Viscontea Casa d'Aste, Milan, on October 4, 2004 (oil, canvas, 60 x 74 cm). The painting, which I do not know even through a photograph, might be related to one of the landscapes in the Sforza-Cesarini collection. Here I would like to express my thanks to Valentina Ciancio (Bloomsbury Auctions, Rome), who helped me in the tracing of the works that surfaced in the art trade.