Czére Andrea szerk.: A Szépművészeti Múzeum közleményei 104. (Budapest, 2006)

JUDIT LEBEGYEV - ANDRÁS MÁRTON: Early Cycladic Objects in the Collection of Classical Antiquities

422, fig. 8. However, these paint motifs are not visible on the enclosed photographs. It is probable that the dark lines are stains that penetrated the cracks of the marble, and not traces of paint. Naxos, Archaeological Museum, inv. no. 4675: Hendrix 2003, 422, fig. 8; Athens, N. P. Goulandris Foundation-Museum of Cycladic Art, inv. no. 280: Doumas 2000, 158, no. 280. Athens, N. P. Goulandris Foundation-Museum of Cycladic Art, inv. no. 701: Flendrix 2003, 425, fig. 12; Athens, N. P. Goulandris Foundation-Museum of Cycladic Art, inv. no. 252: Renfrew 1991, 117, pi. 77, fig. 10; Doumas 2000, 145, no. 252; Karlsruhe, Badisches Landesmuseum, inv. no. 75/49: Rehm 1997, K2, 73, pl. VII. Hendrix 2003, 425, 427. On the symbolism of eyes in general, see W. Deonna, Le sy?nbolisme de l'oeil, Berne 1965, 121-123. Similar patterns on a Mycenaean terracotta head discovered at Phylakopi: E. French, "The Figures and Figurines," in C. Renfrew et al., The Archaeology of Cult. The Sanctuary at Phylakopi, Annual of the British School at Athens, Suppl. Vol. 18, London 1985, 221-222, Sf. 2672, fig. 6.5, pis. 34a-b. Mouth made with relief carving, Athens, National Archaeological Museum, inv. no. 3909, Papathanasopoulos 1981, 195-199. Mouth indicated with an incised line: Thimme 1976, 478, no. 219; Athens, N. P. Goulandris Foundation-Museum of Cycladic Art, inv. no. 252: Getz-Preziosi and Weinberg 1970, pi. 4. 3; Doumas 2000, 145, no. 252. Painted mouth representations: Athens, N. P. Goulandris Foundation-Museum of Cycladic Art, inv. no. 253: Hoffman 2002, 529, fig. 6, the mouth is not visible in the photograph of the figure; Doumas 2000, 149, no. 216. Shelby and Leon Levy Collection: Getz-Preziosi and Weinberg 1970, pis. 2.2, 3; Getz-Preziosi 1987, 156-157, no. 24, 105, pl. I; GetzGentle 2001, pi. 57. New York, Metropolitan Museum of Art, inv. no. 34.11.3: Hendrix 1997/98, 10, figs. 10-12. Private collection: Getz-Preziosi and Weinberg 1970, pi. 4.4; J.-L. Zimmermann, in J. Dörig, Art Antique. Collections privées de Suisse Romande, Mayence 1975, no. 28. London, British Museum, inv. no. 1971.5-21.1: Higgins 1972, 118. E. A. Hendrix identified a painted mouth on the Athens, N. P. Goulandris Foundation-Museum of Cycladic Art, inv. no. 701 piece; however, only the eyes can be discerned on the published photograph: Hendrix 2003, 425, fig. 12. 'Ehe indication of the mouth must have had a meaning. On Crete the custom of avoiding and carving the mouth existed at the same time: K. Branigan, "Figurines and their Derivatives in Crete," Annual of the British School at Athens 66 (1971), 60-64, 70-73. In the case of the imported pieces at Archanes, the mouth was carved subsequently: Thimme 1976, 155, pi. 142; 157, pis. 147-148; G. Papadatos, "Eva 7ra?ULii|/r|OTO, A-outov," in A. Vlachopoulos-K. Birtacha (ekd.), Apyovavrqç. TipqriKoç coftoç yia xov KaOqyqxq Xpiozo T. Nmopa alto TODÇ fiaOijTcc TOD mo LlaYcnioTqnio AßijYojY (1980-2000), AOnva 2003, 278-281. Hoffman 2002. B. Blomqvist, "Cycladic figurines," Opuscula Atheniensia 18 (1990), 240; Papaefthimiou-Papanthimou 1997, 71; Broodbank 2000, 63; F. Blakolmer, "Körperzeichen in der àgàischen