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HELTAI GYÖNGYI: Tendenciák a kortárs vizuális antropológiai gondolkodásban

LOIZOS, P. 1

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09-124. The Hague - Paris: Mouton. 1992a Complicities of Style. In Film as Ethnography. P. I. Crawford - D. Turton, eds. 90-98. Manchester - New York: Manchester University Press. 1992b Whose Story Is It? In Ethnographic Film, Aesthetics and Narrative Traditions. P. I. Crawford -J. Simonsen, eds. 25-42. Aarhus: Intervention Press. MARTINEZ, W. 1992 Who Constructs Anthropological Knowledge? Towards a Theory of Ethnographic Film Spectatorship. In Film as Ethnography. P. I. Crawford - D. Turton, eds. 131-161. Manchester - New York: Manchester University Press. NICHOLS, B. 1

992 The Ethnographer's Tale. In Ethnographic Film, Aesthetics and Narrative Traditions. P. I. Crawford -J. Simonsen, eds. 43-76. Aarhus: Intervention Press. PINNEY C. 1

992 Doubling and the Mouth of God. In Ethnographic Film, Aesthetics and Narrative Traditions. P. I. Crawford - J. Simonsen, eds. 77-105. Aarhus: Intervention Press. ROUCH, J. 1975 The Camera and Man. In Principles of Visual Anthropology. P. Hockings, ed. 83-1

02. The Hague - Paris: Mouton. SORENSEN, E. R. 1975 Visual Records, Human Knowledge and the Future. In Principles of Visual Anthropology. P. Hockings, ed. 467-476. The Hague - Paris: Mouton. VAUGHAN, D. 1

992 The Aesthetics of Ambiguity. In Film as Ethnography. P. I. Crawford - D. Turton, eds. 99-1 1

5. Manchester - New York: Manchester University Press.