Körmöczi Katalin szerk.: Historical Exhibition of the Hungarian National Museum 3 - From the End of the Turkish Wars to the Millennium - The history of Hungary in the 18th and 19th centuries (Budapest, 2001)

ROOM 10. Hungary in the 18th Century (Gábor Németh)

16. Baroque cabinet desk, mid-18th century Court, the aristocracy broke with tradi­tions and attempted to fashion on its Hun­garian estates an environment and a way of life which were impressive and which matched the new needs. From the begin­ning of the 18th century onwards, Baroque palaces were built one after the other. Following French and Austrian models, the Esterházys, Grassalkoviches and other prominent families launched construction work. They were emulated by less well­off sections of the nobility, which built mansions and manor-houses of more modest specifications. The rich and high-standard furniture of the age is recalled by the cabinet desk or­namented with Rococo elements (Fig. 16), an outstanding example of the so-called Maria Theresia style in furniture. On its shelves faiance items meeting the require­ments of the aristocracy have been placed. In 1743, Francis of Lorraine, Maria The­resia's husband, founded the first faiance manufactory on the territory of the Mon­archy, at Holies (Holic), in Nyitra county. Its employees, who came from Italy and Lorraine, worked on a high artistic level. Italian ceramic art exercised a great influ­ence on the high-standard items produced there (Fig. 17). In secular goldsmith's work, the forms and embellishments which had developed during the previous century gradually dis­appeared, hi the 18th century all branches of the arts, from architecture to the deco­rative arts, were imbued with the stylistic trends dictated by French taste. This is no­ticeable in clothing and in the items of goldsmith's work to augment the magnifi­cence of clothes. On men s attire, the most beautiful accessories were clasped belts and jewelled plume-holders for fur-caps. The gilded silver dolman clasps embell­ished with coral belonged to the Esterházy family. Minutely-worked snuff boxes were customary accessories in polite male society. In jeweller's art, increasing em­phasis was placed on precious stones, and on the mountings which set them off. Characteristic items of women's attire were jewelled pendants, ornamented needles

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