Szabó Miklós, Petres F. Éva: Decorated weapons on the La Tene Iron Age in the Carpathian Basin. (Inventaria Praehistorica Hungariae 5; Budapest, 1992)
Notes
274 See Chapter II, p. 32. 276 See note 268. 276 Cp. HUNYADY (1942-44) Pis XLII. 8 and XLIII. 5. 277 Cp. M. SZABÓ in DUVAL-KRUTA (1982) 177-178 and 184, Fig. 3. For the technique, see DUVAL-KRUTA (1986) 22. 278 Cp. the Szob scabbard (Cat. no. 68; and note 261), as well as another specimen from the same site (Cat. no. 61; note 277). See also Chapter IV, p. 57-58. 279 See p. 47 and Chapter I, p. 28. 280 See the Kosd scabbard (Cat. no. 37) discussed in the above (note 259), and the Szob scabbard (Cat. no. 68) to be discussed below, on p. 57-58. 281 BONNAMOUR-BULARD (1976) 279-284, Figs 2-3. 282 M. TA C EVA- H IT O VA in Studia in honorem Veselini Besevliev. Sofia (1987) 327, Fig. 2. 283 Cp. J. V. S. MEGAW, in DUVAL-KRUTA (1982) 213 ff. 284 KRUTA (1985) 27 ff. Cp. also V. KRUTA, Histoire et archéologie. Les dossiers 77 (1983) 71-77. 285 See p. 40. 286 VINSKI-GASPARINI (1959) 281 ff. 287 Cp. GÜSTIN (1982) 193; cp. GUSTIN (1984) Beilage 1 (common forms 4-7). For the helmet, see SCHAAFF (1974) 171 ff. 288 Cp. the Kosd scabbard discussed in the above (Cat. no. 37; note 233). 289 ECA, 94. 290 Cp. DE NAVARRO (1972) 94-95. 291 DE NAVARRO (1972) 95; MEGAW (1973) 119 ff; ZACHAR (1974b) 61 ff. 292 See p. 37. 293 See p. 51 below. 294 See notes 226-228. 295 Cp. M. SZABÓ in DUVAL-KRUTA (1982) 185,Figs 8-10. 296 ECA, 96. 297 See p. 37. 298 STEAD (1984) 277, no. 67: "I or IIP. 299 Cp. SZABÓ (1977) 216, Fig. 6, and M. SZABÓ, in DUVAL-KRUTA (1982) 187, Fig. 15. 300 The "champ-levé" technique emphasized this effect. For the technique, see DUVAL-KRUTA (1986) 22. 301 Closely related is the unpublished scabbard from Kőröshegy (Kaposvár, Rippl Rónai Museum): fusion of the dragon-lyre with the palmette and diagonal main ornament with lotus flower derivatives. See also KRUTA (1987), with examples from 3rd century B. C. Celtic art, and an interpretation based on religious sources. Cp. the anticlassical trend of south Italian red figure vase painting: J. GY. SZILÁGYI, ActaAntHung 18 (1970) 255 ff, Figs 35-36. 302 Cp. MÁRTON (1933-34) Pl. XXV. 2a-b. 303 For the zoomorphic interpretation, see LENERZ-DE WILDE (1982) 104, and Fig. 18 on p. 110. For the postWaldalgesheim ornament, see Chapter I, p. 25-28. 304 These problems have again received scholarly attention, following the evaluation of Beazley's oeuvre: cp. Vasenforschung nach Beazely. Bericht vom Symposium des Deutschen Archäologen-Verbandes. Tübingen 24-26.11.1978. Schriften des Deutschen Archäologen-Verbandes IV. Mainz (1979). 305 Cp. the frequent reshaping (or reparation) of scabbards which may have damaged the ornament; cp. also Chapter II, p. 31, and BONNAMOUR-BULARD (1976), as well as the possibility of the use of a template which, however, can be more convincingly demonstrated in the case of dragon-pair swords than for designs in Sword Style (cp. also note 236). 306 For the absolute chronology of the La Tène C period, see HAFFNER (1979b) 405 ff. 307 For the Jutas finds, see HUNYADY (1957) 35 ff. Cp. also the scabbard from Halimba (Cat. no. 15), Liter (Cat. 40), Kosd (Cat. no. 37), etc. 308 Cp. HUNYADY (1957) 154. 309 M. SZABÓ in DUVAL-KRUTA (1982) 180 and 188, Fig. 19. The plaster casts are housed in the Musée des Antiquités Nationales of St. Germain-en-Laye, inv. no. 10550-8. For the suspension-loop see SZABÓ (1985a) 46, Fig. 6. 311 Cp. p. 42; for the technique, see DUVAL-KRUTA (1986) 22. 312 M. SZABÓ, in DUVAL-KRUTA (1982) 180, note 44. 313 FREY (1974) 150. 314 KKM, 42, 75, no. 77.
