Jávor Anna - Lubomír Slavícek szerk.: Késő barokk impressziók, Franz Anton Maulbertsch (1724-1796) és Josef Winterhalder (1743-1807) (A Magyar Nemzeti Galéria kiadványai)

Lubomír Slavícek: Ifj. Josef Winterhalder - Maulbertsch legbuzgóbb utánzója vagy önálló alkotó?

JEGYZETEK 1 LD. KAT. LANGENABGEN 2009, 246 (QUEUENTEXTE 1/12). 2 KAPOSSY 1922, 32-34, 111-116. 3 HÁIOVÁ-JAHODOVÁ, CEQIIE: ANDREAS SCHWEIGL BILDENDE KÜNSTE IN MÄHREN. Uméní 20 (1972) 173, 184; új közlése in: Kat. Langenargen 2009, 284-292 (Quellentexte IV/l); Cerroni 1807,1-34, fol. 309r311v, vö. in: Kat. Langenargen 2009, 272-273. (Quellentexte III/l). 4 Czikann 1808, 70-75; újra közli Kat. Langenargen 2009, 292-294 (Quellentexte IV/4); Meusel 1814, 288-292, idéz belőle Kat. Langenargen 2009, 294-295. (Quellentexte IV/6) s Wurzbach LVII, 82-84, ill. 84-87. 6 Garzarolli-Thurnlackh 1928. 7 Lásd a jelen katalógus irodalomjegyzékét. 8 A szobrász Winterhalderek irodalmához lásd Stehlík, Milos: Das „Malerische und Bildhauerische" im Werk von Josef Winterhaider d. Ä (1702 Vöhrenbach - 1769 Wien). In: Kat. Langenargen 2009, 185-209; Kleiser, Bernhard - Wörgötter, Zora: Die Schwarzwälder Künsderfamilie Winterhaider. In: uo. 211-231. 9 A jelen kötet irodalomjegyzéke szerint: Kapossy 1922, Preiss 1967; Preiss 2007; Slavícek 1989; Haberditzl 1977; Haberditzl 2006; Garas 1960; Garas 1974; Dachs 2003, 1-3. kötet; Garas 1959; Dachs 2003; Slavícek 2004; Grossová 2001; Drobná 1946; Schelest 1985, Grossová 1999; Vales 2006; Vales 2008. 10 Közli Kat. Langenargen 2009, 273. 11 Lásd a katalógus proveniencia-adatait, ill. különösen: Schelest 1990, 10-14. 12 Hosch, Hubert in: Kat. Langenargen 1996, 478. 13 Krsek 1969, 87; Krsek 1981, 15. 14 Lásd Quellentexte in: Kat. Langenargen 2009, 235-279. - A német nyelvű források gondosan jegyzetelt és bevezető tanulmányokkal ellátott közlését - nyelvi és terjedelmi okokból - a magyar katalógusban el kellett hagynunk, ellenben a budapesti kiállításon szerepeltetünk néhány eredeti dokumentumot a Szombathelyi Egyházmegyei Levéltárból. (A szerk.) Lubomír Slavícek Josef Winterhalder the Younger - Maulbertsch' most ardent copier or an autonomous artist? Contemporaries reckoned with Winterhalder first of all as Maulbertsch' pupil and the follower of his art. That was how he was praised by Wenzel Joseph Mayer, the abbot of the Strahov Premonstratensian monastery in Prague, who wanted to have the fresco created by Maulbertsch in the library of the later suppressed Louka/Klosterbruck Premonstratensian monastery in autumn 1778, repeated in the library of his convent. To bishop of Szombathely János Szily Maulbertsch' father-in-law, Viennese engraver Jakob Matthäus Schmutzer recommended Winterhalder after his son-in-law's death in 1797 as the most suitable candidate for the painting of the ceiling frescoes after the deceased painter's sketches in the cathedral of Szombathely. The main argument in his support was the fresco which Winterhalder painted a decade earlier in the Premonstratensian monastery of Zábrdovice/Obrowitz near Brno, instead of Maulbertsch who had been contracted for the job but had to give back the commission for being overwrought. During his five-year apprenticeship in Maulbertsch' studio, then during close collaboration with the master on several Maulbertsch frescoes in the 1760s and '70s Winterhalder acquired the ability of "copying" the master's style. Born in the Schwarzwald and settled in Moravia, Winterhalder was the scion of a dynasty of sculptors. He was trained in arts not only by Maulbertsch but also by his uncle of the same name, notable sculptor Josef Winterhalder the Elder, and by the court painter of the Dietrichstein family and Brno colleague of Maulbertsch, Josef Stern. He profited by his ability to emulate Maulbertsch throughout his whole life. It was an important factor in his self-representation shaped by written and oral information. It was primarily his autobiographic sketch - included in his report of artists active in and around Znojmo about 1800that served as the main source for a Winterhalder profile in manuscript treatises by learned sculptor Andreas Schweigl