Bakos Katalin - Manicka Anna szerk.: Párbeszéd fekete-fehérben, Lengyel és magyar grafika 1918–1939 (MNG, Warszawa–Budapest, 2009)

III. KATALÓGUS - 2. HAGYOMÁNYKERESÉS - - Könyvillusztráció

the all post-war memoirs, and also in contemporary novels. Unfortunately, despite the fact that the company bravely endured almost half a century of the Polish People's Republic and it is still one of the favourite Polish confectionery producers, Manteuffel's prints were never used after the war. The same principle of the "sign" applies also to Eugeniusz Zak, a painter, who repeated motifs known from his paintings in his engravings. His illustration for Morand's book is a repetition of a motif of a melancholic young man in a tall hat, executed in a rare but unusually attractive technique which imitates a drawing made with crayons, namely the vernis mou. 11/12. ARNOLD GARA (1882-1929) Tatjana's Letter. Illustration for Pushkin's Eugene Onegin, 1 920 Paper, colour etching; 20.2 x 12.4 cm Inv. No. G. 58.38 11/13. ARNOLD GARA (1 882-1929) At the Governor's party. Illustration for Pushkin's Eugene Onegin, 1920 Paper, colour etching; 20.2 x 12.4 cm Inv. No. G. 58.39 11/14. EDMUND BARTŁOMIEJCZYK (1885-1950) Book The Old Man and the Old Woman by J.I. Kraszewski, published by L. Fiszer, 1922 Handmade olive-green and cream-coloured paper, woodcut (printed with a green paint); 18.4 x 18.2 cm Inv. No. Gr.W.

5904/1-1 7 MNW 11/1 5. DEZSŐ FÁY (1888-1954) Illustration for János Arany's epic poem "The Gypsies of Nagyida", 1929 Paper, wood engraving; 14 x 9.5 cm Inv. No. 1929-2105 11/16. DEZSŐ FÁY (1888-1954) Illustration for János Arany's epic poem "The Gypsies of Nagyida", 1929 Paper, wood engraving; 14.5 x 9.5 cm Inv. No. 1929-2106 11/1 7. EUGENIUSZ ZAK (1884-1926) Illustration for René Morand's book La Porte Lourde, 1 929 Cream-coloured paper, soft-ground etching; 34 x 21.4 cm Inv. No. Gr.W.2604/1-9 MNW