Mikó Árpád – Verő Mária - Jávor Anna szerk.: Mátyás király öröksége, Késő reneszánsz művészet Magyarországon (16–17. század) 2. kötet (A Magyar Nemzeti Galéria kiadványai 2008/4)
The English Summary of Volumes I—II
VII-4a All'antica fragments from the St John's cathedral in Eger: Fragment of a relief with angel End of the 15 th century — beginning of the 16 th century White marble; h.: 32,5 cm, w.: 30 cm Eger, Dobó István Vármúzeum VII-4b All'antica fragments from the St John's cathedral in Eger: Fragment of a drapery on a relief End of the 15 th century - beginning of the 16 lh century White marble; h.: 20,5 cm, w.:14,5 cm Eger, Dobó István Vármúzeum VII-4C All'antica fragments from the St John's cathedral in Eger: Fragment of a corner pilaster Beginning of the 16 ,h century White marble; h.:10,2 cm, w.:13,8 cm Eger, Dobó István Vármúzeum VII-4d All'antica fragments from the St John's cathedral in Eger : Fragment of a tombstone (?) End of the 15 th century — beginning of the 16 th century Dark grey limestone, with remains of paste; w. : 54 cm, 1.: 67,5 cm Eger, Dobó István Vármúzeum VII-5 Coat-of-arms of King Vladislav II from the Bakócz chapel in Esztergom 1507 (moulding c. 1900) Plaster; diam.: 138 cm Budapest, Magyar Nemzeti Galeria, Régi Magyar Gyűjtemény, C115.il/1985. VII-6 Esztergom, Bakócz chapel (1506-1507/1508): Drawing: János Páckh (1796-1839), 1823 a. Original ground-plan Paper, black ink, rose water-colour; 410 « 280 mm b. Cross section of the chapel Paper, black ink, rose water-colour; 430 x 275 mm c. Longitudinal section of the chapel Paper, black ink, rose water-colour; 410 « 275 mm d. Six capitals Paper, black ink; 418 * 280 mm e. Capital with edge Paper, black ink, rose water-colour; 418 x 275 mm f. Part of a lunette with section of the archivolt and a round window Paper, black ink, rose water-colour; 412 * 280 mm g. Coffered archivolt with rosettes Paper, black ink, rose water-colour; 413 x 280 mm h. Gate to the sacristy Paper, black ink, rose water-colour; 412 x 280 mm i. The stalls Paper, black ink, rose water-colour; 403 x 274 mm j. The lavabo niche of the sacristy Paper, black ink, rose water-colour; 415 x 280 mm k. The altar Paper, black ink; 435 x 275 mm Budapest, Magyar Nemzeti Galéria, Grafikai Osztály, a: 3205/1937; b: 3207/1937; c: 3206/1937; d: 3215/1937; e: 3212/1937; f: 3214/1937; g: 3213/1937; h: 3210/1937; i: 3209/1937; j: 3211/1937; k: 3208/1937. VII-7 Fragment of an architrave from Esztergom First quarter of the 16 th century Red marble, 40 x 70 x 24 cm Esztergom, Balassa Bálint Múzeum, 2006.2.1-2. VII-8 Corbel from the Batthyány Castle in Ötvöskónyi 1506-1510 Marl; 56 x 44 x 14 cm Kaposvár, Rippl-Rónai Múzeum, 73.1733/49. VII-9 Fragment of a corbel c. 1520 Marl; 33 x 29 x 17,5 cm Siklós, Vár FRAGMENT OF AN INSCRIBED TABLET FROM SZÉKESFEHÉRVÁR WITH THE NAMES OF KING ST STEPHEN, ST EMERIC AND PROVOST DOMONKOS KÁLMÁNCSEHI (VII-10) This, the most significant Renaissance inscription find in Hungary for a decade, turned up as private property after having been lost for more than 200 years. The famous historian György Pray published the text in 1774, when the tablet was larger and more intact then than it is now. REVEREN. .. PATR. .. OMINICI PREPOSITI HIC DIVI STEPHANI C. .. A. . .SCISSIMA PROLES DVX EMERICVS VR ESSE SAT VS. The incomplete inscription includes three names: Provost Domonkos, St Stephen and St Emeric. Research has identified the Provost as Domonkos Kálmáncsehi. He was one of King Matthias' diplomats, a patron of Renaissance illuminated codices, and Provost of Székesfehérvár between 1474 and 1495. The inscription tells that he placed the tablet on a building which at the time - the late Middle Ages — was linked to St Emeric. It is not known what this building was, or where. St Emeries birthplace was, in the early modern period (1527), in the words of the humanist historian Caspar Ursinus Velius, marked by an aedicula (chapel).
