Passuth Krisztina – Szücs György – Gosztonyi Ferenc szerk.: Hungarian Fauves from Paris to Nagybánya 1904–1914 (A Magyar Nemzeti Galéria kiadványai 2006/1)
FROM PARIS TO NAGYBÁNYA - PARIS - KRISZTINA PASSUTH: Café Dôme
Notes 1 Rippl-Rónai painted Paris Interior here (inscribed on the back of the picture: Rippl-Rónai 1910. Paris). See: Csernitzky, Mária, "Párizsi intérieur", in: Rippl-Rónai 1998, 352-353. 2 Csáky, József, Emlékek a modern művészet nagy évtizedéből (1904-1914) [Reminiscences from the Great Decade of Modern Art], Budapest, Corvina, 1972, 85. 3 Ibid. 4 Orbók Attila: Paris élete [The Life of Paris], Budapest, Stádium Sajtóvállalat Rt., 1927, 47-48. 5 Bölöni, György, "A magyar negyedből" [From the Hungarian Quarter], Magyarország, 29 June 1906, reprinted in: Bölöni 1967, 42-43. 6 Basler-Kunstler 1929, 100. 7 "Le Dôme", in: L'École de Paris 1904-1929, la part de Y Autre, Paris, Musée d'Art moderne de la Ville de Paris, 2000, 374. 8 Ibid. 9About this see: Gerhard Handler, "Café du Dôme", in: Pariser Begegnungen 1904-1914, no page numbers; Friedrich Ahlers-Hestermann, Pause vor dem dritten Akt, Hamburg, Verlag Gebr. Mann, 1949. 10 Friedrich Ahlers-Hestermann, "Der deutschen Künstlerkreis des Café Dôme in Paris", Kunst und Künstler, 1918, 398. 11 Hermann Uhde-Bernays, Im Lichte der Freiheit: Erinnerungen aus den Jahren 1880 bis 1914, Frankfurt am Main, 1947, 356-357. 12 Bajomi Lázár, Endre, A Montparnasse, Budapest, Corvina Kiadó, 1969, 111. 13 Béla Hein was also a bohemian of Hungarian orgin living in Paris, who also traded in the so-called primitive art. See: Bernard de Grunne: Bela Hein - Grand initié des ivoires Lega, Bruxelles, Galerie Bernard de Grunne, 2001. On 21 April, 1907 he published a review about the Salon des Indépendants in Pesti Hírlap. After 1907, together with József Brummer, he belonged to the circle of Károly Kernstok. See: Ifjabb Kernstok Károly visszaemlékezése [Memoirs of Károly Kernstok, the Younger] Archives of MTA MKI, MDK-C-ll-40/4. During 1910-1911 Béla Hein worked for Brummer, to be more exact, he gave him money. Accounts of Joseph Brummer 1909-1914, Brummer Archives, Metropolitan Museum of Art, New York. 14 "Dômier alles Dômiers". See: Susanne Thesing, "Der Maler Rudolf Levy", in: Die Grosse Inspiration Deutsche Künstler in der Académie Matisse. III., Kunstmuseum Ahlen, 2004, 60. 15 Pariser Begegnungen 1904-1914, no page numbers. 16 Ibid. 17 Ibid. 18 Basler-Kunstler, 1929, 100. 19 Herman 1958, 89-91. 20 Bajomi Lázár, Endre, "Magyarok a Montparnasse-on" [Hungarians on Montparnasse], in: Jean-Paul Crespelle: A Montparnasse fénykorának hétköznapjai 1905-1930 [La vie quotidienne à Montparnasse à la Grande Epoque, 1905-1930], Budapest, 1976, 183-195. 21 L'École de Paris 1904-1914, op. cit. (Note 7), 378. 22 "Often to be found at the Café du Dôme were some of the best art dealers including Joseph Brummer, Paul Cassirer, Alfred Flechtheim, and Adolph Basler, who wrote the earliest books on Matisse (1924) and Henri Rousseau (1927) and whose portrait was painted by Czóbel." R. Stanley Johnson, "Bela Czobel", in: Hommage to Bela Czobel 1883-1976, Chicago, R. S. Johnson International, Spring, 1981, 8. 23 Béla Czóbel: Adolph Basler and Moïse Kogan in the Dôme, no date, charcoal on paper, 280 x 215 mm, Czóbel's bequest, Ferenczy Múzeum, Szentendre. Pariser Begegnungen 1904-1914, 308. 24 Adolphe, Basler, te Cafard apres la fête ou l'esthétisme d'aujourd hui, Paris, Jean Budry, 1929, 157-158. 25 Bálint, Rezső, Művészek Párizsban [Artists in Paris], Budapest, 1941, 15-16. 26 Wilhelm Uhde, Von Bismarck bis Picasso, Zürich, Verlag Oprecht, 1938.
