Kopócsy Anna: KUT. Képzőművészek Új Társasága 1924–1943, Válogatás a Magyar Nemzeti Galéria Grafikai és Szobor Osztályának gyűjteményeiből (A Magyar Nemzeti Galéria kiadványai 2003/3)

thing in common - their artistic origin in French Modernism in the early 20th century, primarily in trends represented by Cézanne and by the Fauves and also in Cubism. The KUT did not have a strict artistic programme. Beside the tolerance towards each other, they tried to go their own ways and develop their own individual styles. Yet, all the members thought the most of the decorative composition and the powerful pictorial quality. The free application of picture techniques, the rich colourism and the use of the ornament - that was characteristic of them, though beyond that there were different attitudes. The KUT as a great reservoir accepted basically everything that had a place in the wide range between Naturalism and Abstraction. Anna Kopócsy Farkas István: Madagaszkár, Correspondance-mappa, 1929 Farkas István: ízek, Correspondance-mappa, 1929