Dobrovits Aladár szerk.: Az Iparművészeti Múzeum Évkönyvei 5. (Budapest, 1962)

HOPP FERENC MÚZEUM - MUSÉE FERENC HOPP - Major, Gyula: Memorial Exhibition of the Ferenc Hopp Museum of Eastern Asiatic Arts: The Art of Asia

Fig. 8. A detail of the Indonesian Exhibition, Thailand and Burma included gical Hindoo deities, most of them new acquisitions, were to be seen. Lothas (water pots), having silver-inlaid red bodies illustrated the metal works of Southern India, bidri objects (alloys of iron, antimony, zinc etc.) with silver inlays that of Dekkan. India's pictorial art has been represented by some miniatures of the Moghul-school and 3—4 pieces of Rajput painting. Some products of popular art illustrated the survival of the Rajput-school. Various products of industrial art, mostly new acqusitions, were to be seen from Kashmir as well. THE ART OF FARTHER INDIA AND OF INDONESIA The material of Farther India and Indonesia, enriched mainly by the gifts of Schwaiger, but also by the acquisition of several smaller collections and by purchase, is well represented in our collection. Years ago the museum has organized an exhibition of this material, which remained open for two years. In the memorial exhibition we have shown mainly pieces characterising the art and craft of these countries, exhibiting many common features with the corresponding branches of Indian art at the same time. As standard works of this vast area we have presented a Burmese sitting Buddha-statue of the eighteenth century, showing nevertheless traces of archaic Indian art, a Burmese sitting wooden Buddha statue, inlaid with pieces of mirror, betraying Chinese influence, a Siamese standing Buddha, a head of an Ayuthia-