Múzeumi műtárgyvédelem 4., 1977 (Múzeumi Restaurátor És Módszertani Központ)
Táblák
XIII. XIV. XV. XVI. XVII. XVIII. XIX. XX. XXI. Details of the upper picture field 1. Detail of Mária Kleofás’s clothing 2. Detail of Alpheus's clothing (Legend: 1. Drawing showing through transparent layer. 2. Lined accentuation of sense of depth at completion. 3. Brightening of the drapery’s folds. 4. The lower transparent layer was wet when the paint was applied: the colours blended) 3-4. Detail of Mária Kleofás’s clothing on the lower picture field (Legend: 1. Lining out showing through transparently painted layer. 2. Transparent surface. 3, Striped loading of tempern colour. 4. Light brightening. 5. Cracks across the priming and paint layer. 6. Fine flaking on the paint layer.) Detail of the lower picture field (Stollanus) 1. Luminescent photograph before cleaning ‘ 2. Normal photograph after cleaning (Legend: 1. Former restorations hardly noticable with normal illumination appear as dark spots on the luminescent photograph. 2. When compared with the cleaned picture it can be noticed that the damages are much smaller than the restoration) 3-4. Detail of the lower picture field (1.' Ultraviolet light causes fluorescencies of different type and degree in different materials. The fluorescency of the overpaintings differ from the original paint, thus the overpaintings appear as dark spots. 2. In normal illumination they seem identical with the original painting. 3. The hazy milky spots relate to oil-contaning lacquer) Detail of the upper picture field (Simon) 1. After cleaning and filling of discontuinities 2. The restoration of missing parts with water colour with lined (tratteggio) technique X-ray picture of a detail The altar cabinet before restoration, without the carvings and the relief. The altar cabinet before restoration 1. The carving of the fragmantery keel arch crowning the upper part of the cabinet before restoration 2. The keel arch before restoration 3-4. The front and back side of the baldachin after restoration 1. The relief of the angel holding the shroud before restoration 2. The relief during the removal of overpaintings 1-2. The right hand side fragments before conservation 206
