Katalin Gellér: The art colony of Gödöllő 1901-1920 (Gödöllő, 2001)

Ödön Moiret: Led a/ bronze, 1910 Exhibition in Vienna in 1910. Similarly to his genres taken from the Hungarian past, his monumental works also visualized a never-has-been historical time in decorative compositions based on the unified force of line and planar surface (House of Parliament, 1902). After Mihály Kovács and Viktor Madarász, Körösfői-Kriesch also rendered the tragic story of Klára Zách in two large-size paintings (1911). The combined influence of Walter Crane and Botticelli is obvious in the composition of the scene of seduction presented in the play of sensitive and gently undulating lines. A favourite theme of the Gödöllő artists, "hunting the miraculous stag", appeared first in 1897. It was later chosen for a secco in the House of Parliament by Körösfői-Kriesch [Attila Rescues Buda, 1902). Following the example of the poet János Arany, they interpreted the Myth of Origin, the story of the Huns as a mythical happening. Nearly everyone in the colony addressed themselves to the theme: István Zichy rendered it in a lithograph (1905), Sándor Nagy in sgraffito, KörösfőiKriesch in graphics and a painting, Jenő György Remsey in a tapestry (1910), Mariska Undi in tapestries and graphic works, Ferenc Sidló in a sculpture. The story of Attila was of similar importance: Körösfői-Kriesch rendered this topic, which came into vogue in the 19th century, in mosaics [The Sword of God, The Siege ofAquiela, 1908), Sándor Nagy Rezső Mihály: Tristan and Isolde/ink, pen, watercolour on paper, around 1910