Varga Kálmán (szerk.): A Gödöllői Városi Múzeum Évkönyve - Annales Musei Gödöllőiensis 1992 (Gödöllő, 1993)
MAGYAR, ANGOL ÉS NÉMET NYELVŰ REZÜMÉK
Mészáros János: Traditions of "Every Day - Architecture" in Gödöllö The peculiar settlement history and development of Gödöllő through past centuries can be traced by not only the so called ,big architecture, (i.e. palaces, churches, etc.) but also by domestic architecture and the quality of holiday homes and villas. The paper concentates on the analyses and classification of less known architectural values of such buildings and draws attention to protection and defence of them. István Katona: Baroque Window Models in Hungary This paper can be considered as a stop-gap work relating to historic building constructions as the bibliography of the theme is very poor not only in Hungary but also abroad. Focusing on the reconstruction of a window of baroque origin found in the Grassalkovich palace biult in the 18th century he tries to introduce us baroque window models. This reconstruction work makes his paper timely. Péter Török: Historic Gardens in Gödöllö Count Antal Grassalkovich (1694-1771) had his impressive baroque palace built in Gödöllő in the 1740s. Its garden also followed the principles of the dominating style, it was shaped like a baroque landscape-garden. Relying on rich sources the paper unfolds the story of the garden, its peculiarities and the changes that have been made. As a special value of the paper, the author writes about his plan how to reconstruct the garden fitting into the reconstruction plan of the palace itself. György Sümegi: On the Hungarian Pavilion in Venice The exhibition hall in Venice has been housing displays and permanent exhibitions from Hungary. Many of the artists of the Gödöllő Art Colony were involved in the work when it was built (e.g.: Aladár Körösfői Kriesch, Sándor Nagy with construting stained-glass windows). The pavilion was rebuilt in 1958 bricking in the original secessionist architecture together with its mosaics and other details. Many decades later it was restored in 1991 and the original architecture was reestablished. The paper is a survey on the history of the pavilion and that of the process of the rehabilitation. Géza Maróti: (1875-1941): Exhibition and Art Gallery in Venice (A selection of the author,s manuscript owned by the Architectural Museum of the National Inspectorate for the Protection of Historic Monuments) Géza Maróti was one of the outstanding artists in the turn of the century. He was an architect, but he followed not only the principles of architecture but that of attendant arts (i.e.: sculpture, plastic art, mosaic, stained-glass window, etc.) At the beginning of 212