Alba Regia. Annales Musei Stephani Regis. – Alba Regia. Az István Király Múzeum Évkönyve. 16. 1975 – Szent István Király Múzeum közleményei: C sorozat (1978)

Szemle – Rundschau - Fitz Péter: Erzsébet Schaár. The three Marx. p. 375–379.

art ,,a good one too" but not the „original". This rigid, white world plays an important part in Schaár'S art, and as it reaffiems the uniformity of her work, it cannot be disturbed or changed. This is the case with the three Marx portraits : any of them can be erected separately each being a supreme work of art, but it would be a pity to separate them. Since their united effect is stronger and their meaning is deeper and more complete. Elisabeth Schaár realized the Synthesis of her art in „Street" which contained simultaneous selection of her oeuvre which was endowed with a special meaning by placing it into a manifold Symbolical plastic space construction. This „lyrical space" — as determined by the artist — is the very element of the independent portraits contained in it, as in the three Marx portraits; and this simultaneous viewing, uniform realisation and the fact that she succeeded in summarizing her entire art in an independent and perfect masterpiece — is the summit of her sculptural art. Any possibility of further progress ended with her death, but we, the inheritors, have the task to keep her art intact and preserve it from the disintegration of the hungarocell. P. Fitz 379