Fülöp Gyula (szerk.): Festschrift für Jenő Fitz - Szent István Király Múzeum közleményei. B. sorozat 47. (Székesfehérvár, 1996)

E. Alföldi-Rosenbaum: Womens Mantles with Decorated Borders

Fig. 4: Bust of Liguria Procilla, aroterion of sarcophagus lid. Split, Museum. After K. Prijatelj, VjesDal L1II. 1951, Pl. XII.

telj (tetrarchic, on stylistic grounds) seem to late. The hair style is common in the late Severan period, as stated also by Barkóczi, l.c. (see note 10).

The bust of Liguria Procilia is placed in the left acroterion of the lid. She wears a kind of toga draped as on A 1 and 2, but the border consists of a double band embroidered with the usual scroll work. The section of the bust rendered shows the “balteus” almost entirely, and a short portion of the “sinus” emerging from under the “balteus” on the left breast.

4. (Figs. 5-6) Cleveland, Museum of Art. Inv. no. 65. 246. Small bust, belonging to a group of three pairs of busts from Asia Minor, precise provenance unknown. Total H. 0.330 m. W. of bust 0. 205 m. W.D. Wixom, BClevMus March 1967, esp. pp.

73 f., fig. 5. E. Kitzinger, “The Cleveland Marbles”, in: Atti 9 Congresso lnternaiionale di Archeológia Cristiana. Roma 1975 I, Città del Vaticano 1978,653 ff. - W.D. Wixom, in: K. Weitzmann (ed.), Age of Spirituality (Catalogue of the exhibition at the Metropolitan Museum of Art, November 19, 1977 through February 12, 1978) New York 1979, 407 f.. No. 363. Inan/ Alföldi-Rosenbaum, op. cit. (above note 2), 325 ff, No. 325, Pis. 228, 1.3; 234. W. Wischmeyer, “Die vorkonstantinische Kunst in neuem Lichte: Die Cleveland-Statuetten”, Vigiliae Christianae 35/3, 1981, 235 ff, fig. 1 (p. 278).

A date around 280 (or a little earlier or later) has been generally accepted and is supported by the coiffure of the lady. For the date see also Marianne Bergmann, Studien zum römi-108