Bárkányi Ildikó szerk.: A Móra Ferenc Múzeum Évkönyve: Studia Ethnographica 7. (Szeged, 2011)

Glässer Norbert: mako 110@. A makóiság képi megjelenítése a „Makói Szent Udvar" elektronikus körleveleiben

LUPOVITCH, Howard N. 2003 Between Orthodox Judaism and Neology: The Origins of the Status Quo Movement. Jewish Social Studies Vol. 9, Nr. 2, Winter 2003 (New Series) 123-153. SPITZER , Shlomo, J. 1999 Die Rabbiner Ungarns, 1944. Die orthodoxen Gemeinden/Orthodox rabbik Magyarorszá­gon, 1944. Unter Mitarbeit von Moshe A. Z. Künstlicher. Hungaria Judaica 12. MTA Judaisztikai Kutatócsoport, Budapest. SZABÓ Piroska 2003 Image of Jews in the Memory of Residents of Makó. Acta Ethnographica Hungarica 48 (2003: 1-2)63-86. SZARVAS Zsuzsa 2003 "On the Border of Two Worlds" Some Aspects of the Co-existence of Rural Jews and Peasantry in Hungary. Acta Ethnographica Hungarica 48 (2003: 1-2) 49-61. TÁTRAI Zsuzsanna 2004 Távoli Templom 90 perces domumentumfilm. Ethnographia 115. évf. 3. sz. 317-321. TÓTH Ferenc 1996 Makói temetők. A Makói Múzeum Füzetei 83. József Attila Múzeum, Makó. WRIGHT , Terence 2008 Visual Impact. Culture and the Meaning of Images. Berg, Oxford-New York. makoll0@ The Community of Makó as Represented in the Photos Attached to Email Circulars by NORBERT GLESZER We settle in an environment and regard it as ours by way of attributing meaning to its elements. At times, we attribute several different meanings to the same space. Present paper studies the representations of the community of Makó in the email circulars sent by the descendants of orthodox Jews emigrated from Makó. A traditional community whose members were forced to emigrate and which has since then thor­oughly changed is recorded, reformulated and preserved by selective means of globalised mass communi­cation. The digital-visual representation - which in itself represents the thorough change of globalising communication - used by a community emphasizing its traditionalism becomes a part of its answer to change, as a guarantee of immutability. Selecting and using new means and phenomena in maintaining tradition in a globalised context - with the help of technology, mass communication and public transport ­helps bridging and connecting disintegrated spaces. Photos sent attached to circulars and preserved in a digital form strengthen the feeling of belonging to a community, at the same time eliminating the distance in time and space between members of the community. 74

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