Dr. Bándi Gábor: A Dél-Dunántúli mészbetétes edények népe kultúrájának elterjedése és eredete (Dunántúli Dolgozatok 4. A Pécsi Janus Pannonius Múzeum Kiadványai 4. Pécs, 1967)

Összefoglalás

represented also by the Zók characterictic, appearing in material culture, in an increasing degree. In the West the phase following the early period witnessed the migration of ever renewed Western Transdanubian hords from the Balaton Highlands, surrounded by mountains, to the South-East. Probably this fact furnishes the explanation for the occurrence of typical Veszprém, North Transdanubian find comlexes mainly in the county Tolna. As a joint result of the outlined local development and the repeated north-western impacts, the southern areas witnessed the evolution of a group in the framework of the whole culture, the so-called Southern Transdanubian (Szekszárd—Pécs) one, running paralell to its Northern Transdanubian counterpart in a considerable portion of its existence. Summing up, we may state that the Transdanubien incrusted pottery culture is connected, as regards its origin, to the immigration of the Central Europen Litzenkeramik people, moving from the North-West to the South-East. Taking Transdanubia as a unit, the culture may be divided into a unitary early phase, and to a younger one, in which the measure and intensity of the amalgamation with the aboriginal population resulted in the partition of two ethnical groups, following a parallel existence: one must consider the possibility of minor divergences in the framework of each group. So the basic ethnical element of the culture is linked to the Central or the Eastern European circle essentially; further development and differentiation in Transdanubia led to the infiltration of numerous southern elements through the medium of the Zók autochthonous population.