Heves megyei aprónyomtatványok 9/ZE

Érési folyamatok!. / The process of Maturation I. / Reifungsvorgänge í. /1993 "While working, an artist studies live science: when painting a blotch of red somewhere in a picture and then, in order to counterbalance it, ! over a large blue space, paints some orange with two small green spots, and then considers it again and comes to a decision to later give the whole surface a particular touch, the artist is thinking, though it would be very difficult for him to tell how and about what. It is his eyes that are thinking, and all this I materialises in the world of colours." I Gábor Karácson Ibolya Paparó works by projecting some femininely emotional "beauty"; she paints it, smears it, sprinkles it wet, with more and more sensitivity. In the arrangement of her smudges and splashes . She adheres to creating simplified but organic structures. The stains of her paintings arrange themselves in the same way as vital processes. There is something whirling in some plasma-like, cold blue mass, which then gets condensed into cracking orange red, encircled with the chrome­oxide green aura of some blotches pulsating a complementary glory. The primary feature of these pictures is that they always appear as the heralds of some change. All this, of course, can only be translated from the language of the thinking of an artist in terms of colours into a written language of concepts, and only at the cost of a considerable loss. In the past, some time ago, Ibolya Paparó happened to see some isotope photographs, pictures commonly used in medical diagnosis. The machine-made

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