Tüskés Anna (szerk.): Omnis creatura significans - Tanulmányok Prokopp Mária 70. születésnapjára (2009)

Antik és középkori művészet

Omnis creatura significans

ther side, were regilded during the Getty sponsored conservation campaign.

43 Veritä, 2000 (see note 1 above), p. 52. Green glass as a base for metal foils found also in the S. Zeno Chapel of S. Prassede in Rome (Oakeshott, W.: The Mosaics of Rome from the Third to the Fourteenth Centuries. London, 1967, p. 11); as well as S. Maria in Trastevere (Cantone, Rosalba: I mosaici della facciata di Santa Maria in Trastevere a Roma. Note e prime risultanze di restauro. In: Iannucci et al. 1992, see note 3 above, p. 235; see also John Gage: Colour and Culture. London, 1993/4, P- 275 n. 41 for examples at Pula, Ravenna and Aachen). Very dark green glass also found beneath gold foil mosaic in a XIII centuiy portable mosaic in Cortona (Monclatti, Alessio: La Vergine orante dell’Accademia Etrusca di Cortona. Nuovi dati e considerazioni su un mosaico toscano del Duecento. In: Prospettiva, 87-88 (July-Oct. 1997); PP-107-108 notes.

44 Milanesi, Gaetano: Dell’arte del vetro per mosaico, tre trattatelli dei secoli XTV e XV per la prima volta pubblicati. Bologna, 1864, pp. 3-5 from the first treatise.

45 I have been unable to consult Conservation of the Last Judgment Mosaic, St. Vitus Cathedral, Prague edited by F. Piqué and D.C. Stulik. Los Angeles, Getty Conservation Institute, c. 2004.

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