Prékopa Ágnes (szerk.): Ars Decorativa 32. (Budapest, 2018)

Edit DARABOS: Blomstermarmor, klistermarmor. Modern Danish endpapers in the collection of the Museum of Applied Arts

Changes in the paper marbling technique Paper marbling arrived in Europe presum­ably from Persia, via Turkey. Until the 17th century, only eastern sheets were circulat­ing in Europe; an important source of these early papers were the so-called Alba Amicorum,33 The patterns (Turkish, plac­ard, combed, curled and variations of these) displayed in these papers are charac­terised by a reduced colour palette com­prised of yellow/red/blue/green.34 From the early 19th century onwards, not only the types of patterns (shell, Stormont, pea­cock, Spanish) but also the range of col­ţDriflinaf-Şfftttmorier- großen J&amm»îlTarmor „Breit unb fd?mal" Jitamm-nTarmor „Surüchgejogener Jüamm" Pfauen-JTfarmor 23ouquet«ÎTTarmor auíflefűlprt in &er tittati 5ad?fd?ule für Sudjbinöer t»on 6ans Sauer, (Sera, 2t. 64 2. Combed patterns of the Halfer type. In: L. Brade’s: Illustriertes Buchbinderbuch, Halle, 1916, Museum of Applied Arts Library

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