Prékopa Ágnes (szerk.): Ars Decorativa 32. (Budapest, 2018)

Piroska NOVÁK: On the porcelain designer career of Éva Ambrus

3. Éva Ambrus: Coffee set, prototype, 1969, Museum of Applied Arts, inv. no.: 2017.44.1-3.1-2. Photo: Krisztina Friedrich factories—-had developed an unfavourable standing in the Alföld Porcelain Factory. As a result, she was allowed to design only single pieces and patterns. The sets she de­signed in her first years of work were pro­duced only as prototypes but were never manufactured.15 (Fig. 2-4.) Éva Ambrus experienced a break­through in 1972, when she entered the Var­ia tableware competition organized jointly by the Fine Ceramics Industrial Works and the Council of Applied Arts.16 The compe­tition, which had several categories, re­quired participants to design table services whose pieces could be purchased individu­ally—in other words, could be ‘mixed and matched’. The other requirement was that the designs be compatible with Alföld Por­4. Eva Ambrus: Vase and bonbonniere with lid, prototypes, 1969-1970, Museum of Applied Arts, inv. no.: 2017.46.1-2.1-2. Photo: Krisztina Friedrich 108

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