Prékopa Ágnes (szerk.): Ars Decorativa 31. (Budapest, 2017)

Kornélia HAJTÓ: Restoration Options for Architectural Ceramics

rior and interior work, a marked change from the past. Several companies offer products expressly for restoration purpos­es. The construction industry has also re­sponded to the demands of restoration of historic buildings, developing construction materials with a wide range of properties. In practice, restorers have to determine the suitability of these materials for specific ap­plications by experiments and tests. Only the test of time, however, can establish the true fitness of a new material. Part of a re­storer’s job is to return to previous restora­tions from time to time and check their condition. This tells us much about the du­rability and long-term applicability of the materials used. There are few materials offered specifi­cally for the restoration of exterior ceram­ics. Most often, we use materials that have been developed for stone restoration. This assumes that the ceramic has functions and material properties close to those of stone. There are two broad categories of fired clay elements used on buildings: terracotta (plain fired) and glazed (majolica) ceramics. These embrace a wide variety, and Zsolnay products, for example, span a very wide spectrum of material and manufacture in both categories. One particular class of ‘special terracottas’ is now universally re­ferred to as pyrogranite. In general, restoration follows the phas­es of cleaning, conserving or strengthening, adhesion, addition, retouching and surface protection. We will look at each of these phases in turn. Cleaning Atmospheric pollution exerts severe stress­es on the outer walls and roofs of urban buildings. The air in cities nowadays con­tains high concentrations of solid- and gas- phase components that contaminate and disfigure the surfaces of buildings. There are three basic means of removing contami­nation: chemical removal, sand-blasting and steam cleaning. The simplest cleaning chemicals are sur­factants. These are asymmetric molecules, with hydrophilic (polar) ‘heads’ and hy­drophobic (apolar) ‘tails’. They include de­tergents and soaps. Surfactants work by surrounding apolar, i.e. non-water-soluble particles and dispersing them in water so that they can be washed off. The most com­monly used surfactants in restoration prac­tice are anionic fatty alcohol sulphates, spe­cifically alkyl sulphates. There are cleaning agents on the market today that have been developed expressly for facades. One is Fassadenreiniger Paste by Remmers. Its technical data sheet states that it is ‘suitable for cleaning every faţade of clinker, brick and stone, and sculptures.’ It is a mildly acidic (pH 5) ammonium chloride containing paste, applied to the surface and left to act for about five min­utes, after which it is washed off by a jet of water. The cleaned surface is then neutral­ized as prescribed. It may also be used to clean glazed ceramics that are in good con­dition if diluted and applied for a short time, under the supervision of a specialized restorer. Proper care is necessary, however, to prevent it from etching the surface of the glaze. Another Remmers product is Alkutex Abbeizer, an acid-free etching cream for cleaning graffiti and paint out of pores. It degrades biologically. The only informa­tion on the data sheet is that it is mildly ba­sic (pH 8.5). A faţade cleaning agent made by Ter- ranova is Weber E 709. The data sheet re­95

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