Vadas József (szerk.): Ars Decorativa 10. (Budapest, 1991)

List of Plates

the nineteenth century, Museum of Applied Arts, Budapest. 4. Memling göl, detail of Carpet No. 1, Anatolia, fifteenth century, Museum of Applied Arts, Budapest. 5. Hans Memling: The Virgin Mary and Child Enthroned, Accompanied by an'Angel Playing Music and the Donor, c. 1470, Kunsthistorisches Museum, Vienna. 6. Hans Memling: Still Life, c. 1470, Castagnola (Lugano), Thyssen-Bornemisza Collection. 7. Memling carpet, Anatolia, fifteenth century, Mevlana Museum, Konya. 8. Memling carpet, Bergama, mid-nineteenth century, 9. Memling carpet, Caucasus, nineteenth century, Tamssary Museum, Tbilisi, Georgia 10. Tekke-Turkmen torba, Central Asia, nineteenth century. Ethnographical Museum, Leningrad. Lilla Tompos : The Cut of Dolmans 1. Gaban de pano. Martin de Anduxar; Geometria y tracas. Madrid, 1640. 2. Un manteau des contes, un habit de hongrois. Le Tailleur Sincère. Paris, 1671. 3. Janko Rock. Kisszeben Pattern-Book, 1641. Museum of Applied Arts. 4. Burgher's mente. Kassa Pattern-Book, 1630/1717. Museum of Applied Arts. 5. Ungerische Mentő. Sopron PatternBook, 1679. Local History Collection, Sopron. 6. Photograph of the black-velvet dolman. Museum of Applied Arts. 7. Brown-velvet dolman embroidered in relief with metallic thread. Museum of Applied Arts. 8. Silk dolman. Museum of Applied Arts. 9. Blue-velvet dolman. Museum of Applied Arts. 10. Crimson-velvet dolman. Museum of Applied Arts. 11. Crimson-satin dolman. Museum of Applied Arts. 12. The hooks belonging to the crimsonsatin dolman. Museum of Applied Arts. 13. The cut of the satin dolman. A) left front B) right front C) back D) sleeves 14. Diagram showing the method used to cut dolmans used in the seventeenth century. 15. Diagram showing the method used to cut dolmans used in the eighteenth centuryJudit Vinkovics : Two Mongol Sculptures

... 1. Vajradhara with his female energy. Ferenc Hopp Museum of Eastern Asiatic Arts, Budapest. 2. Vajradhara with his female energy. Rear view. 3. Vajradhara with his female energy. Detail. 4. Manjushri. Ferenc Hopp Museum of Eastern Asiatic Arts, Budapest. 5. Manjushri. Detail. 6. Manjushri. Rear view. 7. Detail of the Shadakshari-Avalokiteshvara sculpture attributed to Dzanabadzar's school. The private collection of N-O. Cultem, Ulan-Bator. Taken from : Cültem, N., Vydajuscijsja mongol'skij skul'ptor G. Dzanabadzar. Ulan-Bator 1982. 111. No.83. 8. Detail of the Vajrasattva sculpture attributed to Dzanabadzar's school. Palace Museum, Ulan-Bator. Taken from: Cûltêm, N., Vydajuscijsja mongol'skij skul'ptor G. Dzanabadzar. Ulan-Bator 1982. 111. No.88. 9. The lotus-throne of the Akshobhya sculpture by Dzanabadzar. Museum of Fine Arts, Ulan-Bator. Taken from : Cûltêm, N., Vydajuscijsja mongol'skij skul'ptor G. Dzanabadzar. Ulan-Bator 1982. Detail of 111. No.12. 10. The lotus-throne of the Amitabha sculpture by Dzanabadzar. Museum of Fine Arts, Ulan-Bator. Taken from : Cültem,