Imre Jakabffy (szerk.): Ars Decorativa 3. (Budapest, 1975)
FERENCZY, László: Traditions and new trends in the Japanese art of the Meiji era
NOTES: I Japanese arts and crafts in the Meiji era. Edited by Uyeno Naoteru, Tokyo, 1955. The survey of the various branches of arts was put in charge of several authors. Unfortunately, the passage on painting lias not been completed because of the illness of the author and has been omitted from the otherwise excellent and indispensable book. - Fax, H . — Pantzer, P.: Japan auf der Weltausstellung in Wien, 1873. Wien, 1973. ;i On the preparation and history of the Exhibition cf. H. Fuse-P. Pantzer, op.cit. 6, 8, 11. 4 For this collection see: An Illustrated Catalogue of Japanese Old {and Modern) Fine Arts at the Japan — British exhibiton, London, 1910, Vols. I-II, Tokyo, 1910. 5 Magyar Iparművészet, 14 ( 1911 ) 41 - 44. 6 For details about the collection see: Ferenczy, L.: Wartha Vince t ávolkeleti kerámiai gyűj t eménye. Építőanyag, XVIII, 1966/3, 120- 122. 7 For the biographical data of the artist see: Index of Japanese Painters, Tokyo, 1941. 54; and Michener, J . A.: Japanese Prints from the Early Masters to Modern. Tokyo, 1959. 278. 8 The picture and description of the painting are to be found in : Horváth, T.: The Art of Asia in the Ferenc Hopp Museum of Eastern Asiatic Arts, Budapest, 1954. PI. 54 and in the Handbook of the E. Hopp Museum of Eastern Asiatic Arts, Budapest, 1970. Fig. 55. ! ' Cf. op. cit. Vol. I. PL 80; at the same exhibition Araki Kampo's Pheasant in Autumn Landscape" was also put on show. Ibid. Vol. II. No. 4. 10 For a detailed description of the painting see Horvátit, T. Hirai Baisen: A Heike (Taira) család bukása. Szépművészet, 1/3, Budapest, 1940. 85- 8(5. The pair, i.e. the other part of the painting has unfortunately got lost in the second world war. About the painting see also: Handbook. . . Fig. 56. II Elisséev, S.: La peinture contemporaine au Japon, Paris, 1923. 84. 12 Cf. L'exposition de Paris 1900. Paris, 1900. 238. 13 Cf. Uyeno Naoteru, op. cit. 45. 14 For the picture see: Horváth, T., op. cit. 78. 15 Brinkley, C. F.: Japan. Its History, Art and Literature. Vol. VLI, Tokyo, 1902. 201. 16 Lessing, F.: Das Kunstgewerbe auf der Wiener Ausstellung, 1873. Berlin, 1874. 23, 202-204. 17 Cf. Brinkley, op. cit. Vol. VIL, App. 37. 18 Cf. Morse, E. S.: Catalogue of Japanese Pottery. Cambridge, 1901. 280, 305. 19 Cf. Brinkley, op. cit. Vol. VIII. 416. 20 Cf. Uyeno Naoteru, op. cit. 22- 23. 21 Cf. Nakagawa, Ch.: Meiji jidai no kogei. Nihon no bijutsu 9, No. 41, Tokyo 1969. Fig. 1. 22 Cf. Münsterberg, O.: Japanische Kunstgeschichte, Vol. II. Braunschweig, 1905. 124. There are five tsubas and kogai on this piece. ri For the picture and further description cf. Ferenczy, L.: Japanese inro in the Hopp Museum, Part Two, Ars decorativa I, Budapest, 1973. 136- 137. 24 For the history of Japanese cloisonné enamel cf. Garner, H.: Chinese and Jajmnese Cloisonné Enamels, London, 1962. 96- 100. 23 Münsterberg, op. cit. Vol. TI. 175— 176. 26 Cf. op. cit. Pl. 93/a.
