Kiss Imola - Szőcs Péter Levente (szerk.): Arhitectura religioasă medievală din Transilvania (Satu Mare, 1999)
Buzás Gergely: A kései Mátyás-kor királyi építkezései és a későgótikus építészet stílusáramlatai Magyarországon
152 8. Krakkow, St. Barbara church, door 9. Ajtókeret a krakkói Wawelből 9. Krakkow, Wawel, door 10. A passaui St. Salvator alaprajza és metszete 10. Passau, St. Salvator, layout and profde 11. A salzburgi ferences templom alaprajza 11. Salzburg, franciscan church, layout 12. A meisseni Albrechtsburg részlete 12. Meissen, Albrechtsburg, detail 13. A budai Szt. Miklós templom tornyának részlete 13. Buda, St. Nicholas church, detail of the tower 14. A siklósi várkápolna részlete 14. Siklós, castle, detail of the chapel Royal building activities in the late Matthias-period and the stylistic trends of Late Gothic architecture in Hungary> Summary’ In a number of fundamental studies, András Kubinyi has discussed the history of the two basic organizations responsible for financial matters in the Hungarian Kingdom during the Matthias- and Jagello-period: the provisoratus of the Buda castle, in charge of estates and incomes intended to provide for the royal court, and the treasury, which handled state revenues. Kubinyi 's findings proved to be invaluable for the field of art history as well, insofar as they cast light on the economic and historical background of royal building activities. A characteristic feature of Hungarian architecture in the time of Matthias Corvinus is that most of the significant buildings were commissioned by the ruler who enjoyed overwhelming economic and political supremacy. Matthias ’ buildings campaigns began after the Christmas of 1476, when he married Beatrix of Aragony. One of the most important constructions was the renovation of the Visegrád palace, which - as a source discovered by Kubinyi proves - was directed by the Buda provisoratus. Several other buildings renovated during this time - the castles in Buda, Tata, and Zsámbék, the abbey of Pannonhalma - show a stylistic relationship with the work in Visegrád. As these were also in the hands of the Buda provisors, it follows that the provisoratus employed the same masons ’ lodge for its various building campaigns. The architectural style represented by this workshop was widespread in the Transdanubian region and its environs in the 1470-80s (Episcopalpalace, Győr; St. Anne’s chapel, Székesfehérvár; Archiepiscopal palace, Esztergom; Episcopal palace, Eger; choir of St. Martin ’s church, Pozsony /Bratislava/; Franciscan friary, Paks), and is related to the style of the late fifteenth century lodge of the Stephanskirche in Vienna. In fact, it is a regional style that spread in the orbit of Vienna, but also appeared in a few faraway locations (the castles of Gyula and Vajdahunyad /Hunedoara, Rumania/)
