Ciubotă, Viorel (szerk.): Satu Mare. Studii şi comunicări. Seria istorie-etnografie-artă 17-21/2. (2000-2004)
C. Artă
346 Imola Kiss, Judit Erdős 17. The framing of the windows from 1st floor, decorated with floral motifs. 18. The pelican with the tong ones - motif with symbolical character. 19. The capital of the detached columns from the ground floor of the buliding. 20. The superior horizontal register (frieze) of the facade of Dacia Hotel. 21. Floral medallion, with the year of Dacia Hotel’s building. 22. Pomegranate flowers scattered between the windows. Bibliografie Borovszky Samu, Magyarország vármegyéi és városai. Szatmár Németi, Budapest, f.a. (1908). P. Brestyánszky, Ilona 1976, Ismerjük mega kerámiát, Budapest, 1976. Cipăianu, Ana Maria 1980, Broderii de tip oriental în colecţia de textile a Muzeului de Istorie a Transilvaniei, în "Acta Musei Napocensis" (AMN), nr. XVII, 1980, Cluj-Napoca. Clébert, Jean Paul 1995, Bestiarfabulos. Dicţionar de simboluri animaliere, Bucureşti, 1995. Constantin, Paul, 1972, Arta 1900 în România, Bucureşti, 1972. V. Ember, Mária 1981, Úrihimzés, Budapest, 1981. Gerle János, Kovács Attila, Makovecz Imre 1990, A századforduló magyar építészete, Budapest, 1990. Hoppál Mihály, Jankovics Marcell f.a. (1996), Jelképtár, Budapest, f.a. (1996). Marica, Guy Viorica 1997, Art Nouveau — originile şi ramificaţiile unui profil stilistic, în "Museum Arad. Studii şi Comunicări", nr. VI, 1997. Radosav, Doru 1984, Ghid de oraş: Satu Mare, Sibiu, 1984. Tankóczi, Gyula, Monografia oraşului Satu Mare, f.a. (1938). x x x A szatmári vigadó és szállóépület, ín "Építőipar", nr. 1106, din 1898. Art Nouveau at Satu Mare: The building of „Dacia” Hotel Summary The present work's aim is to present the most spectacular building from the city of Satu Mare, the „ Daria” Hotel, built in 1901 according to the plans of the architects Bálint Zoltán (1871-1939) and Frommer (Jámbor) Tajos (1869-1955), dignified descendants and devoted successors of the spirit initiated by Techner Ödön in the architecture of 1900 Style. The building of Daria of Daria Hotel was conceived in the manner of Art Nouveau, the floral variant inspiredfrom folk tradition. The value of the monument is considerably emphasized by the presence of enameled ceramics, manufactured in the famous Zsolnay factory from Pécs. The whole building reflects the architects’ aspiration towards originality and synthesis. The effects are increased by the diversity of the used materials, the fluidity of the lines, and the sinuos calligraphy of the forms. As a heritage from Baroque, we could mention the avoidance of straight lines and acute angles, as well as the emphasis laid on the central register. Kenaissancce is also present by means of the lantem-turrett, which crowns the projected central register. The special combination of differentfloral motifs (tulip, lily and pomegranate) also reminds us of Renaissancce. Because of the laced superior horizontal register, the whole building gets the delicate and elegant aspect of a folk embroidery. Fig.l
