Szilágyi Gábor: A fotóművészet története a fényrajztól a holográfiáig - Képzőművészeti zsebkönyvtár - Képzőművészeti zsebkönyvtár (Budapest, 1982)
Kísérletező művészek és művészi kísérletek - Függelék II.
of Life". Journal of the Photographic Society, London, 21 April: 191—196. RIGAL, Christian (ed.) 1980, La photocopie. Musée National d'Art Moderne— Centre Geórges Pompidou, Paris, o. n. ROBINSON, Henry Peach 1869, Pictorial Effect in Photography. Being Hints on Composition and Chiaroscuro for Photographers. Piper and Carter, London, pp. 176.; 1 896, The Elements of a Pictorial Photograph. The Country Press, Bradford—London, pp. 167. RODCSENKO, Alexander 1978, Rodtschenko Fotografien, 1920— 1938. Wienand Verlag, Köln, pp. 182. ROH, Franz 1929, Mécanisme et expression. Les caractéres essen - dels et la valeur de la Photographie. In : Roh—Tschichold : 3—1 8. ROH, Franz—TSCHICHOLD, Jan 1929, Foto-auge. 76 Fotos der Zeit. Akademischer Verlag. Dr. Fritz Wedekind und Co., Stuttgart, 1929, pp. 18 + ill. ROOT, Marcus A. 1 864, The Camera and the Pencil or the Heliographic Art, its Theory and Practice together with its History in the USA and in Europe. D. Appleton and Co. New York, pp. 456 + ill. ROTZLER, Willy 1 974, Photographie als Künstlerisches Experiment. Von Fox Talbot zu Moholy-Nagy. Bucher Verlag, Luzern, pp. 95. SALBITANI, Roberto 1978, New Trends. Per una technica alternativa. Progresso fotografico, 11: 13—65: 12:15—90. SAYCE, B. J. 1882, Historical Notice of the Origin and Progress of the Collodio-Bromide Process. The British Journal of Photography, 29:387—388. SCHARF, Aaron 1976, Pioneers of Photography. An Album of Pictures and Word Written and Compiled by (the author). Harry N. Abrams, Inc., New York, pp. 189. SCHOPPE, Wilhelm (her.) 1937, Meister der Kamera erzählen. Wie sie Wurden und wie sie arbeiten. Verlag von Wilhelm Knapp, Halle- Saale, pp. 96 + ill. SCHUNEMAN, R. Smith (ed.) 1972, Photographie Communication. Principles, Problems and Challenges of Photojournalism. Hasting House, Publ., New York, pp. 379. SCIMÉ, Giuliana 1 980, La linea sottile. Mutui scambi fra fotográfia, arti grafiche, pittura. Galéria Flaviana, Locarno, pp. 1 32. SIZERANNE, Robert de la 1899, La Photographie est-elle un art? Hachette et Cie, Paris, pp. 50. SKAIFE, Thomas 1860, Instantaneous photography, mathematical and popular, including practical instructions on the manipulation of the pistolgraph. R. P. S. London. STEICHEN, Edward 1902, The American School. Camera 1 .22., 22.: 1908, Camera Work, 22:14.; 1 909, Color Photography. Camera Work, April 1909. STEINERT, Otto (her.) 1964, Kunstphotographie um 1900. Museum für Kunst und Gewerbe, Essen, pp. 47 + ill. STEINORTH, Karl Photographen der 20 er Jahre. Verlag Laterna Magica, München, é. n. pp. 144. STENGER, Erich 1939, The History of Photography. Its Relation to Civilization and Practice. Mack Print, Co. Easton, pp. 204.; 1950, Siegeszug der Photographie in Kultur Wissenschaft, Technik. Heering 400