Saly Noémi (szerk.): Gorka Lívia keramikusművész (Budapest, 2010)

Kollin András: Bibliográfia

coloured with oxides, and which follow the basic forms created by time, the environment and the species, create the effect of slightly rough, irregularly veined geological rock specimens-, or worn, scaly pebbles found hidden in the depths of forests and washed by spring water, the forms and colours of which sometimes remind one of various seeds or parts of insects with unusual abdomens. Lívia Gorka, through her association-inspiring works, wishes to force people's imaginations to begin working, and the final shaping of her work - differing from person to person - is entrusted to the lover of art, who is himself drawn into the creative process." Zoltán Szelesi: Gorka Lívia kiállítása Szegeden - ("Lívia Gorka's Exhibition in Szeged"). Művészet, 1968. 12. 45.

39Repr.: Hedvig N. Dvorszky, Lívia Gorka. Műcsarnok 1973. Művészet, 1973. XIV 3. 35, 36 40Hedvig N. Dvorszky: Gorka Lívia. Műcsarnok 1973. Művészet, 1973. XIV 3. 35.

41 Reproductions of the sculptures exhibited were published in Művészet, 1973. XIV 3. 35, 36.

42 Művészet, 1973. 3.

43 Ilona R Brestyánszky: Gorka Lívia kiállítása - („Lívia Gorka's Exhibition"). Ipari Művészet, 1973. 3. 29-30. „The artist does not as yet complete the process of logical abstraction to its end, as in the case of her bird forms, which record the feeling of reality to various degrees. She has foregone the spherical shapes of ten years ago and is now more engaged with diving or soaring birds."

44 Listed works repr.: Lívia Gorka. Corvina műterem. Corvina, 1979. Foreword by Rozália Urbán Nagy. Photographs by Demeter Balla.

45 The various shades of green were attained through the addition of copper oxide, barium and ash (chamot), while the browns were the result of adding manganese and iron oxide.

46 János Frank: Livia Gorka's Pottery. The New Hungarian Quarterly, XXIX. 111. 1988. ősz, 193-194.

47 Lívia Gorka: Vallomás - („A Confession"). In: Gorka Lívia. Corvina, 1979. 48.