Botár István et al. (szerk.): A Csíki Székely Múzeum Évkönyve 9. (Csíkszereda, 2013)

Művészettörténet - Szabó András: A csíkszeredai képzőművészeti élet kezdetei

SZABÓ ANDRÁS

VÁMSZER 1975 Vámszer Géza, Visszaemlékezés életpályámra, IN Művelődés, 28, 11., 38-40. WOLFE 1984 Wolfe, Tom, Festett malaszt (ford. Bartos Tibor), Európa Könyvkiadó,

Budapest.

Elektronikus források

http://hu.wikipedia.org/wiki/Verseghy_Ferenc_Gimn%C3%A1zium http:/ / vfek.vfmk.hu/00000113/adat_75.htm

http://artportal.hu/lexikon/muveszek/kadar-tibor-1919-1962~festo-grafikus-4949 http://szepi.hu/irodalom/kedvenc/kt_043.html

Szabó András

Csíki Székely Múzeum Csíkszereda, Románia E-mail: ni_gal@topnet.ro; szaboandras@csikimuzeum.ro

ÎNCEPUTURILE VIEŢII ARTISTICE ÎN MIERCUREA CIUC (CSÍKSZEREDA)

Rezumat

Studiul este o contribuţie la istoria vieţii artistice din Miercurea Ciuc (Csíkszereda). Este parte integrantă a primului volum (Auspicii - Kezdetek) al proiectatei monografii Napfaragók, I- VIII, Csíkszereda képzőművészei. Lucrarea prezintă, începând din 1872, caracteristicile începuturilor predării desenului şi profesorii de desen calificaţi şi necalificaţi din Miercurea Ciuc. Totodată, folosind surse bibliografice autentice, analizează evoluţia vieţii şi mentalităţii artistice din perioada următoare anului 1920, antiteza dintre percepţia laică şi cea plină de subtilităţi profesionale a vieţii artistice ciucane. Studiul este şi o contribuţie la evaluarea critică a tematicii perioadei cercetate.

THE BEGINNING OF ARTISTIC LIFE IN MIERCUREA CIUC (CSÍKSZEREDA)

Abstract

The present study is part of the first volume named Auspicii - Kezdetek (Auspicii - Beginnings pertaining to the monography Napfaragók, I- VIII, Csík-Szereda képzőművészei [Sunflowers I - VIII. The fine art artists of Miercurea Ciuc), the author’s work in progress. It presents the accessible data about the qualified and unqualified drawing-teachers of the city, respectively the main features of the beginnings of art education starting in 1872. It also draws the attention to the formation of Transylvanian artistic life and mentality after 1920. Furthermore, it reveales the contradictions laying between the laic and professional artistic interpretations of the researched period. The study is founded on reliable bibliographical sources which are submited to critical evaluation from place to place.

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