Sedlmayer János - Juan Cabello: Dr. Gerő László (Kiállítási katalógusok)

Work of architect Dr. László Gerő This exhibition and booklet are de­signed to present the work of archi­tect Dr László Gero, with illustra­tions of blueprints, photos, publica­tions, graphical works, books and periodicals. We have exhibited the extensive oeuvre of a prominent Hungarian architect; an oeuvre of which not only László Gerő him­self, but all of us who work in the field of monument protection, have all the reason to be proud. László Gerő's work is both complex and versatile. There were times - at the end of the 1940s and beginning of the 1950s - when Gerő was the only „Architect" in the predecessor of OMF (National Monument Pro­tection Supervision) bearing the brunt of technical jobs and taking a rich helping of other tasks, as well. He judged and approved plans, consulted colleagues giving them his ideas, planned a fair number of restoration works, researched, wrote studies and gare lectures. Later on he worked on a number of assignments, acting as designing architect, urban development specialist, or­ganiser, writer of professional works and professor. In OMF, the monument protec­tion organisation reorganised twenty-five years ago, he had the opportunity to surround himself with some able young architects ­some of them his former students, and others who became his staunch supporters working with him. At mat time he could already afford to share some of the work on restora­tion projects he had started earlier, while in his capacity as head of the Technical Department of OMF he controlled planning and administra­tive work which then was part of OMF's responsibilities. His re­sponsibilities changed after 1961 when he was assigned, or rather chose, jobs more fitting his personal interests and professional qualities. Others would certainly have inter­preted this as relegation to an infe­rior position - but not him. He con­tinued to work with the same en­thusiasm and .unrelenting effort. His exploits were rewarded on several occasions: he became can­didate of technical sciences, he was awarded a State Honour in 1972, after an Ybl Prize in 1958, and he also won one of the highest international awards, the Herder Prize, in 1974. László Gerő stressed, on several occasions, that he was primarily a designing architect. And indeed, he embodies the ideal we all hold of a true designer. His broad knowl­edge of life past and present, his exquisite taste, professional quali­ties, the multitude of his ideas and the strength to convey them, are qualities that make him a truly first­class architect. Clear, transparent solutions dominate his designs and an ar­titistic touch rounds out the over­all effect. Consciously, he con­siders architecture an art of the space, and consequently devotes the most attention to the overall appearance of the space. He con­siders simplicity of importance for identification with Hungarian relics and for conformity with our more modest monuments. He places special emphasis on the detail - like stone paving, iron­works, etc. - therefore, he usually trusts able craftsmen, sometimes even exceptionally talented artists with these jobs. Cases in point are the interior of the sanctuary of the Belváros (Inner City) church in Budapest, the interior of the Sik­lós castle chapel, the Sigismund Hall and the chapel of the Buda Palace. Gerő was always a staunch champion, both in his writings and in his lectures, of preventive monu­ment protection. (Preventive Monument Protection, Budapest 1950). We are inclined to forget about this task that should come as simple and natural, because archi­tects usually meet sick buildings. Preventive monument protection should obviously be the first and

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