Czére Andrea szerk.: A Szépművészeti Múzeum közleményei (Budapest, 2007)

ZSUZSANNA DOBOS: New Additions to the Art and Research of Girolamo Troppa

6 S. Ferino-Pagden, W. Prohaska, and K. Schütz, Die Gemäldegalerie des Kunsthistorischen Museums in Wien, Vienna 1991, 125, pl. 178. Troppa is not mentioned by L. Pascoli, Vite de'pittori, scultori ed architetti moderni: con indice analitico Roma 1730-1736, vols. I—II, Rome 1965, and by N. Pio, Le vite di pittori, scultori et architetti: (Cod. Ms. Capponi 257), ed. C. Enggass, and R. Enggass, Gitta del Vaticano, Biblioteca Apostolica Vaticana 1977. 8 In F. Petrucci, Pittura di Ritratto a Roma. II Seicento, vols. I—III, Rome 2008, II. 422. 9 L. Lanzi, Storia Pittorica delVltalia (1195-1196), ed. 1809, M. Capucci ed., I. Florence 1968, 402; F. Avventi, II servitore di piazza: guida per Ferrara, Ferrara 1838, 211. 10 Inv. no. 87.2, oil, canvas, 95x132 cm. Purchased at the 71st auction of the auction house BÁV. A. Szigethi, "Kél: Maratta követő, Giacinto Calandrucci és Benedetto Luti képei Budapesten" [Two followers of Maratta: The pictures of Giacinto Calandrucci and Benedetto Luti in Budapest], Annales de la Galerie National Hongroise (Etudes sur l'histoire de l'art en honneur du soixantième anniversaire de Miklós Mojzer), 1991, 187-188; V Titrai ed., Museum of Fine Arts Budapest, Old Masters' Gallery. A Summary Catalogue of Italian, French, Spanish and Greek Paintings, Budapest 1991, 17; A. Szigethi, L'Europa della pittura nel XVII secolo. 80 capolavori dai musei ungheresi, exh. cat., Milan, Palazzo della Permanente 1993, 68-72, n. 8. " Schleier 1993, 16-20. 12 Schleier 1990, 23-34. 13 Düsseldorf, Museum Kunst Palast, Sammlung der Kunstakademie, inv. KA (FP) 3459, pen, brown ink, brown wash over black chalk, 176x234 mm. 14 C. Strinati, M. Marini, and C. Ippoliti, Mattia Preti—disegno e colore, Catanzaro 1991, 211, 281. 15 M. Marini, in Strinati, Marini, and Ippoliti 1991, 281. Inv. no. 69.61. Oil, canvas, 75x97 cm. Presented by Mrs Zoltán Keresztes. Tátrai 1991, 103. 17 On the Ticino-born Mola's works to be found in Swiss private collections, see J. Genty, Pier Francesco Mola nelle collezioniprivate svizzere, exh. cat., Bruno Scardeoni Antiquario, Lugano 1986. 18 The Assumption of the Magdalen, whereabouts unknown, formerly London, Heim Gallery 1978, later auctioned at Finarte, Milan, March 30, 1982; Saint Sebastian, in 1972 in Roman art trade; Angelica and Medoro, Sotheby's New York, October 14, 1998 (n. 110). Another exemplar of the composition (oil, canvas, 97.5x74.5 cm) recently auctioned at San Marco Casa d'Aste, March 18, 2007 (n. 39), as Pierfrancesco Mola; Joseph Interpreting Dreams, in 1956 in London art trade. The Saint Sebastian and the Joseph Interpreting Dreams published by B. Riccio, "Ancora sul Mola", Arte Illustrata V, no. 51 (1972), 405-6, figs. 3, 14.