Czére Andrea szerk.: A Szépművészeti Múzeum közleményei (Budapest, 2007)
SZILVIA BODNÁR: On the Draughtsmanship of Caspar Freisinger
drawing is described as "A woman strugging to escape from a man's embrace" on the home page of the British Museum. C. Gagli, and F. Valcanover, L'opéra compléta di Tiziano, Milano 1969, cats. 355, 369, 370, 428, 429. M. Rota: Venus and Adonis, engraving, 242x174 mm, London, The British Museum, inv. no. 1982, U.4534. See M. Catelli Isola, Immagini da Tiziano : stampe dal sec. XVI al sec. XIX dalle collezioni del Gabinetto Nazionale delle Stampe, exh. cat., Roma 1976, cat. 80, some further engraving copies after the Titian painting: ibid., cats. 12, 23. Pen, brush and black ink, with grey wash, heightened with white, 152x98 mm, Budapest, Museum of Fine Arts, inv. no. 80. From the Esterházy Collection. Signed on the stone cube: "Caspar Fraisinger / Ingolstadij fecit / 1599 ... die", at bottom: "Wehr sie befleißt etwas zu lehrnen, / Der kan sie alzeitt darmit ernern." See above note 2 and Thöne 1940, 59, Kat. Nr. 15. Pen and dark grey ink, with grey wash, heightened with white, 216x 160 mm. Budapest, Museum of Fine Arts, inv. no. K. 58.429. From the Delhaes Collection. See H. Geissler's note on the catalogue card. (Teissier's reference to the drawing being related to the fresco is to be found at the Heinrich Geissler Archives at the Getty Research Institute, Los Angeles (2001. M. 9, Box 22). I am grateful to the Oetty Foundation for a Museum Scholar Fellowship providing the opportunity to research the Geissler Archives. Cagli and Valcanover 1969, cats. 407, 422, 424, 425. T. Da Costa Kaufmann, Drawings from the Holy Roman Empire 1540-1680, exh. cat., The Art Museum, Princeton University, 1982, cat. 45 (Rising of Lazarus); ddiöne 1940, 52, fig. 14 (Virgin and Child) and 53, fig. 15 (Birth of the Virgin Mary). Pen, brush and dark grey ink, with grey wash, heightened with white, 235x167 mm. Musée de Grenoble, inv. no. MG D 614. Presented by Léonce Mesnard 1874. I am grateful to Agnes Sándor and Denise Chafino for their kind help during my visit to the collection, to Anouk Gerard and Christine Poullain for the photograph and publication rights. Mezger, Kritisches Verzeichnis der Kunstsammlung des sel. Herrn Antistes und Dekan Veith zu Schaffbanse?! m der Schweiz : Bestehend in ... Gemälden, ... etc., welche ... versteigert werden sollen, Schaffhausen 1835, 48, cat. 56; Thöne 1940, 61, cat. 65. Kaulbach 2007, 114, cat. 178. Further examples of variants of a composition: Kaulbach mentions e.g. four different compositions of the Rising of Lazarus by Freisinger. Ibid., 109, cat. 170. There is however a fifth, unpublished variant of the same scene in the Dresden Kupferstich-Kabinett, inv. no. C 7078. Kunsthalle Bremen. Meisterwerke, vol. 2, Aquarelle, Pastelle und Zeichnungen, ed. C. Hopfengart and A. Röver-Kann, Bremen 1998, 78, and n. 3. A copy of this drawing was at a Berlin auction in 1997:
